Shattering Biopolitics - (Commonalities) by Naomi Waltham-Smith (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Failures to listen or mishearings can be a matter of life and death. <i>Shattering Biopolitics</i> elaborates the intimate and complex relation between life and sound in philosophy, political theory, and sound-art.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>A missed phone call. A misheard word. An indiscernible noise. All these can make the difference between life and death. Failures to listen are frequently at the root of the marginalization and exclusion of certain forms of life. Audibility decides livability. <i>Shattering Biopolitics</i> elaborates for the first time the intimate and complex relation between life and sound in recent European philosophy, as well as the political stakes of this entanglement. <p/>Nowhere is aurality more pivotal than in the dialogue between biopolitical theory and deconstruction about the power over and of life. Closer inspection of these debates reveals that the main points of contention coalesce around figures of sound and listening: inarticulate voices, meaningless sounds, resonant echoes, syncopated rhythms, animal cries, bells, and telephone rings. <p/><i>Shattering Biopolitics</i> stages a series of "over-hearings" between Jacques Derrida and Giorgio Agamben who often mishear or completely miss hearing in trying to hear too much. Notions of power and life are further diffracted as Hélène Cixous, Catherine Malabou, and Jean-Luc Nancy join in this high-stakes game of telephone. This self-destructive character of aurality is akin to the chanciness and risk of death that makes life all the more alive for its incalculability. <p/>Punctuating the book are a series of excurses on sound-art projects that interrogate aurality's subordination and resistance to biopower from racialized chokeholds and anti-migrant forensic voice analysis to politicized speech acts and activist practices of listening. <p/><i>Shattering Biopolitics</i> advances the burgeoning field of sound studies with a new, theoretically sophisticated analysis of the political imbrications of its object of inquiry. Above all, it is sound's capacity to shatter sovereignty, as if it were a glass made to vibrate at its natural frequency, that allows it to amplify and disseminate a power of life that refuses to be mastered.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p>"A tour-de-force analysis of the role of sound in contemporary biopolitics and a landmark volume within and beyond music studies."--Michael Gallope, University of Minnesota <p/>"<i>Shattering Biopolitics</i> brilliantly weaves together two threads: it carefully auscultates the philosophical discourses of deconstruction and biopolitics in order to sound them out on their aural imagination; and it pursues a true 'politics of listening, ' a performative intervention that seeks to reconfigure the way we lend our ears."--Peter Szendy, Brown University <p/>A missed phone call. A misheard word. An indiscernible noise. All these can make the difference between life and death. Failures to listen are frequently at the root of the marginalization and exclusion of certain forms of life. Audibility decides livability. <i>Shattering Biopolitics</i> elaborates for the first time the intimate and complex relation between life and sound in recent European philosophy, together with the political stakes of this entanglement. <p/>Nowhere is aurality more pivotal than in the dialogue between biopolitical theory and deconstruction about the power over and of life. Closer inspection of these debates reveals that the main points of contention coalesce around figures of sound and listening: inarticulate voices, meaningless sounds, resonant echoes, syncopated rhythms, animal cries, bells, and telephone rings. Recent sound-art projects take up similar concerns from racialized chokeholds and anti-migrant forensic voice analysis to politicized speech acts and activist practices of listening. <p/>Building on such thinkers as Derrida, Agamben, Cixous, Nancy, and Malabou, <i>Shattering Biopolitics</i> elaborates sound's capacity to shatter sovereignty, as if it were a glass made to vibrate at its natural frequency, that allows it to amplify and disseminate a power of life that refuses to be mastered. In doing so, the book advances the burgeoning field of sound studies with a new, theoretically sophisticated analysis of the political imbrications of its object of inquiry. <p/><b>Naomi Waltham-Smith</b> is Associate Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick. She is the author of <i>Music and Belonging Between Revolution and Restoration</i>.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Shattering Biopolitics</i> brilliantly weaves together two threads: it carefully auscultates the philosophical discourses of deconstruction and biopolitics in order to sound them out on their aural imagination; and it pursues a true 'politics of listening, ' a performative intervention that seeks to reconfigure the way we lend our ears.<b>---Peter Szendy, Brown University, <i></i></b><br><br>A tour-de-force analysis of the role of sound in contemporary biopolitics and a landmark volume within and beyond music studies.<b>---Michael Gallope, University of Minnesota, <i></i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Naomi Waltham-Smith </b>is Associate Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick. She is the author of <i>Music and Belonging Between Revolution and Restoration</i> (Oxford, 2017). As a fellow at Akademie Schloss Solitude in 2019-20, she has been developing deconstructive field-recording methodologies to explore contemporary urban marginalization and resistance.
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