It's Go in Horizontal, 22 - (New California Poetry) by Leslie Scalapino (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"I hesitate to introduce any such term as 'meditation' or 'reflection, ' because this work is not apart from its thinking and/or composition, so to speak--and that, among other things, constitutes its exceptional value. I find the whole work to be a deeply engaging preoccupation with, and articulation of, what life might be said, factually, to be. But not as a defined subject, nor even a defining one--but as one being one. That is an heroic undertaking, or rather, place in which to work/write/live. Its formal authority is as brilliant as any I know." --Robert Creeley <BR>"Leslie Scalapino's poems probe politics, memory, perception, and desire, creating hypnotically shifting coherences that take us beyond any dislocating devices into a realm of newly emerging consciousness. This work, which defies categorization, is essential for contemporary poetry."--Charles Bernstein, author of "Shadowtime" <BR>"Leslie Scalapino is one who is one. A solitary, an original. Hers is a religious poetry in the tradition of Edward Thomas and Emily Dickinson, of the Hindu Vedas and Do-Gen. What other way could there be for someone with a mind so electric, independent and restless except out into the space-time conundrum? Her instrument (for she is also a soul-scientist) is a light beam held by hand in the form of a pen. Because she is thoroughly modern, every moment of experience is interrupted and unstable, accompanied by introspection and sidelong glimpses at the social. The poet here is a horrified witness, a perpetual child, a sexually alert female who keeps looking back to believe what she has seen. I read these poems as they are given: line-by-line, in flashes, and then I return to read each one again. This is a superb and important contribution to philosophy, theology, psychology, and the science of knowing. To have the selection here now, to be able to see the whole trajectory in one volume, is to experience a revolutionary moment."--Fanny Howe<p/><br></br><p><b> Book Synopsis </b></p></br></br>Internationally recognized as one of the most innovative writers in America today, Leslie Scalapino persistently challenges the boundaries of many forms in which she works--poetry, prose, plays, and more. This outstanding volume includes work from sequential and serial poems written over thirty-two years. The poems demonstrate ideas and inventions in writing, and how one writing invention leads to the next. Three series are selected from the long poem <i>way, </i>about which Philip Whalen said, She makes everything take place in real time, in the light and air and night where all of us live, everything happening at once. Recent poems, such as those from DeLay Rose, appear to leave the page itself as a single infinite line in which the actions of individuals and occurrences in the outside world are synonymous, mysterious, and simultaneous. <i>It's go in horizontal </i>is a dazzling entryway into the oeuvre of a daring and powerful writer.<p/><br></br><p><b> From the Back Cover </b></p></br></br>"I hesitate to introduce any such term as 'meditation' or 'reflection, ' because this work is not apart from its thinking and/or composition, so to speak--and that, among other things, constitutes its exceptional value. I find the whole work to be a deeply engaging preoccupation with, and articulation of, what life might be said, factually, to be. But not as a defined subject, nor even a defining one--but as one being one. That is an heroic undertaking, or rather, place in which to work/write/live. Its formal authority is as brilliant as any I know." --Robert Creeley<br /><br />"Leslie Scalapino's poems probe politics, memory, perception, and desire, creating hypnotically shifting coherences that take us beyond any dislocating devices into a realm of newly emerging consciousness. This work, which defies categorization, is essential for contemporary poetry."--Charles Bernstein, author of <i>Shadowtime</i><br /><br />"Leslie Scalapino is one who is one. A solitary, an original. Hers is a religious poetry in the tradition of Edward Thomas and Emily Dickinson, of the Hindu Vedas and Do-Gen. What other way could there be for someone with a mind so electric, independent and restless except out into the space-time conundrum? Her instrument (for she is also a soul-scientist) is a light beam held by hand in the form of a pen. Because she is thoroughly modern, every moment of experience is interrupted and unstable, accompanied by introspection and sidelong glimpses at the social. The poet here is a horrified witness, a perpetual child, a sexually alert female who keeps looking back to believe what she has seen. I read these poems as they are given: line-by-line, in flashes, and then I return to read each one again. This is a superb and important contribution to philosophy, theology, psychology, and the science of knowing. To have the selection here now, to be able to see the whole trajectory in one volume, is to experience a revolutionary moment."--Fanny Howe<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Scalapino is shown in this welcome overview to have developed a distinctive idiom."-- "Publishers Weekly" (4/21/2008 12:00:00 AM)<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Leslie Scalapino</b> teaches at Mills College and is a former faculty member at Milton Avery Graduate Program of the Arts at Bard College, the San Francisco Art Institute, and the Otis Art Institute in Los Angeles. Among her many books are <i>Day Ocean State of Star's Night: Poems and Writings 1989 and 1999-2006, Dahlia's Iris: Secret Autobiography and Fiction, </i> and <i>Zither and Autobiography.</i>
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