Commons, 5 - (New California Poetry) by Myung Mi Kim (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"The poems in Commons are at once global and intensely personal and emotional. An immensely talented poet, Myung Mi Kim loves language - its internal rhymes, alliterations, and diverse rhythms. Caught off guard by the beauty and precision of Kim's language and the exquisite images she so deftly conjures, we are drawn unwittingly into a web of fragmentary memories that subvert what we think we know about the violent history that haunts her and never ceases to demand recognition."--Elaine Kim, author of "Asian American Literature: An Introduction to the Writings and Their Social Context, " and co-editor of "Dangerous Women: Gender and Korean Nationalism"<p/><br></br><p><b> Book Synopsis </b></p></br></br>Myung Mi Kim's <i>Commons </i>weighs on the most sensitive of scales the minute grains of daily life in both peace and war, registering as very few works of literature have done our common burden of being subject to history. Abstracting colonization, war, immigration, disease, and first-language loss until only sparse phrases remain, Kim takes on the anguish and displacement of those whose lives are embedded in history.<br /><br />Kim's blank spaces are loaded silences: openings through which readers enter the text and find their way. These silences reveal gaps in memory and articulate experiences that will not translate into language at all. Her words retrieve the past in much the same way the human mind does: an image sparks another image, a scent, the sound of bombs, or conversation. These silences and pauses give the poems their structure.<br /><br /><i>Commons'</i>s fragmented lyric pushes the reader to question the construction of the poem. Identity surfaces, sinks back, then rises again. On this shifting ground, Kim creates meaning through juxtaposed fragments. Her verse, with its stops and starts, its austere yet rich images, offers splinters of testimony and objection. It negotiates a constantly changing world, scavenging through scraps of experience, spaces around words, and remnants of emotion for a language that enfolds the enormity of what we cannot express.<p/><br></br><p><b> From the Back Cover </b></p></br></br>The poems in Commons are at once global and intensely personal and emotional. An immensely talented poet, Myung Mi Kim loves language - its internal rhymes, alliterations, and diverse rhythms. Caught off guard by the beauty and precision of Kim's language and the exquisite images she so deftly conjures, we are drawn unwittingly into a web of fragmentary memories that subvert what we think we know about the violent history that haunts her and never ceases to demand recognition.--Elaine Kim, author of <i>Asian American Literature: An Introduction to the Writings and Their Social Context, </i> and co-editor of <i>Dangerous Women: Gender and Korean Nationalism</i><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Extracts the sparest of reactions and reflections to global politics, colonization, immigration and other issues in fragmented form that takes the blank page as a kind of force field for splinters of language and images. The result is gnomic, austere and obliquely intense."--"Memphis Commercial Appeal, 4/14<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Myung Mi Kim </b>is Professor of Creative Writing at San Francisco State University. Her three previous books of poetry are <i>Under Flag, </i>winner of the 1991 Multicultural Publishers Book Award, <i>The Bounty </i>(1996), and <i>Dura </i>(1998).
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