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Intermedial Theater - (Palgrave Studies in Performance and Technology) by Bryan Reynolds (Hardcover)

Intermedial Theater - (Palgrave Studies in Performance and Technology) by  Bryan Reynolds (Hardcover)
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Last Price: 119.99 USD

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<p/><br></br><p><b> About the Book </b></p></br></br>This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Felix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Societas Raffaello Sanzio, Thomas Ostermeier, Rodrigo Garcia and La Carniceria Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Intermedial Theater offers an original contribution to a developing and productive sophistication in this fast-growing area of research. Exploring the relationship between technology, consciousness, subjectivity, affect and spectatorship, the book focuses on the fertile gap between the somatic, cultural and the political across contemporary European theatre using new technologies.<p/><br></br><p><b> From the Back Cover </b></p></br></br>This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences.<p/><br></br><p><b> About the Author </b></p></br></br><p>Bryan Reynolds is Claire Trevor Professor of Drama at the University of California, Irvine, USA. He is also the Artistic Director of the Amsterdam-based Transversal Theater Company, a director of theater, a performer, and a playwright, whose plays have been produced in the United States, Europe, Asia, and the Middle East.</p>

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