<p/><br></br><p><b> Book Synopsis </b></p></br></br>A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"It is an illuminating contribution to previous research into the intermedial relation between theatre and film and a thoughtful response to new aesthetics emerging from their interplay. ... It is certainly more geared towards and intellectually rewarding for advanced scholars and expert readers in the areas of theatre and performance studies, film studies and media theory." (Claudia Georgi, Journal of Contemporary Drama in English, Vol. 4 (2), November, 2016)</p><br><p/><br></br><p><b> About the Author </b></p></br></br><p>Piotr Woycicki is a Lecturer in Theatre and Performance Studies at Aberystwyth University, UK. His previous publications include articles in the Journal of Beckett Studies and the Journal of Performance Research.</p>
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