Music Law - 10th Edition by Richard Stim (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>You're more likely to have a successful career in the music business if you can understand and negotiate music business contracts and copyrights--and this best-selling book explains how to do that in plain English.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>How to make your band a huge business success</b><br><p> <p/>Whether you're recording an album, budgeting a tour, or livestreaming concerts, you need solid information to make the right legal and business choices. <p/></p><p><br><i>Music Law</i> is the all-in-one guide you need. Written by musician and lawyer Rich Stim, it explains everything you need to: <br></p><p></p><ul><br><li> write a partnership agreement<br></li><li> buy, insure, and maintain equipment<br></li><li> use samples and do covers <p/></li><li> sell and license your music <p/></li><li> get royalties for streaming and downloads <p/></li><li> deal with taxes and deductions <p/></li><li> find the right manager and write a fair contract <p/></li><li> get gigs and get paid <p/></li><li> protect your copyright legally <p/></li><li> deal with legal issues in the recording studio, and <p/></li><li> negotiate record contracts. <p/></li></ul><p> <p/>This is the most useful business and legal guide for bands and independent musicians. Completely updated to provide the latest in the law and current business practices, it covers music licensing and trends in livestreaming and other new revenue sources. <p/><br></p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"If you're serious about a career as a performing musician, you'd have to be a damn fool not to rush out and buy a copy of this book." <i>Jim Aiken, Keyboard</i> <p> "It's the scuba gear every musician needs to swim with the sharks." <i>Vibe</i> <p> "I usually hate books written by attorneys. This one is an exception." <i>Moses Avalon, Author of the Confessions of a Record Producer</i> <p> Author Richard Stim presents musicians, music industry professionals working in a wide variety of contexts, and general interest readers with an examination of the business and legal aspects of collaborative music recording and performance. The author has organized the chapters that make up the main body of his text in eighteen parts devoted to the business of being a band, band partnerships, management, attorneys, band equipment, and a wide variety of other related subjects. The author is a musician and practicing intellectual property attorney. <i>Eithne O'Leyne, Editor Ringgold, Inc. ProtoView</i> <p> <b>From the Author: </b> Taking care of a band's business may seem to lack the same excitement as knocking out a third encore for rabid fans. But band business doesn't have to be boring, and it often involves some of the same types of creativity as used in songwriting and arranging. This book will help musicians make smart decisions and avoid the many pitfalls that often trap bands and their members. During its two decades and ten editions, <i>Music Law</i> has evolved to not only cover band partnership agreements, management agreements, and copyright, trademark, and contract info, but also to include music artwork; taxes and financial management; licensing music for film, TV, and advertising; and new revenue models from music income.<br>
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