On the Horizon of World Literature - (Lit Z) by Emily Sun (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided-and continues to provide-a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun's book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><i>On the Horizon of World Literature</i> compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided--and continues to provide--a condition of possibility for conversation between cultures as well as for their mutual provincialization. <p/>The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. <p/>Sun's book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>On the Horizon of World Literature</i> is an outstanding, original, and groundbreaking book. Sun shows how asynchronous and historically unrelated works can be brought together for mutual illumination. Sun's comparisons take into consideration the historical significance of texts as responses to modernity and their very existence as products of historical forces that shape what we understand as modernity. The author's ambition in treating texts as fields of interlocking developments marks the book's originality.<b>---Wai-Yee Li, Harvard University, <i></i></b><br><br><i>On the Horizon of World Literature</i> offers an exciting methodological challenge to future work on world literature. Moving away from the big picture models popular in recent discourse on the topic, Sun's development of a translingual approach to close reading favors the recounting of intimate narratives of literary history rather than the search for broad patterns.-- "Modern Chinese Literature and Culture"<br><br>Emily Sun's pathbreaking book bridges early twentieth-century Chinese literature and early nineteenth-century British literature in an entirely original and convincing way. By building this remarkable, two-way literary dialogue--across cultures, periods, and continents--Sun reawakens the promise and the necessity of comparative literature, as a unique discipline with new stories still to tell.<b>---Alex Woloch, Stanford University, <i></i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Emily Sun </b>is Visiting Associate Professor in Comparative Literature and Translation Studies at Barnard College. She is author of <i>Succeeding King Lear: Literature, Exposure, and the Possibility of Politics</i> (Fordham, 2010) and co-editor of <i>The Claims of Literature: A Shoshana Felman Reader</i> (Fordham, 2007).
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