<p/><br></br><p><b> About the Book </b></p></br></br>"Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, a"<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Talking Music</i> is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators.<p/><br></br><p><b> From the Back Cover </b></p></br></br>Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians -- including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn -- many of whom rarely grant interviews.<P>The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Mormon childhood; Steve Reich explains how his reharmonizations relate to Debussy; and much more. The results are revelatory conversations with some of America's most radical musical innovators.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"These composers open up to Duckworth. . . . Even the mysteries of the creative process are not beyond discussion.... There are plenty of gems [in this book]". -- Opera News<br><p/><br></br><p><b> About the Author </b></p></br></br><b>William Duckworth</b> is a composer, professor of music at Bucknell University, author of two books on music theory, and editor of <i>John Cage at 75.</i> He lives in New Jersey.
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