Blood on the Moon - (Detective Sergeant Lloyd Hopkins) by James Ellroy (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Twenty random murders of women remain unconnected in police files, but Det. Sgt. Lloyd Hopkins sees a pattern. Intelligence and madness are pitted against each other in the shattering climax.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Detective Sergeant Lloyd Hopkins can't stand music, or any loud sounds. He's got a beautiful wife, but he can't get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He's a thinking man's cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent. Now, there's something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of twenty years. To solve the case, Hopkins will dump all the rules and risk his career to make the final link and get the killer.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A brilliant detective and a mysterious psychopath come together in a final dance of death." <i>--The New York Times</i>"One of the great American writers of our time." <i>-- Los Angeles Times </i> "Ellroy is either our greatest obsessive writer or our most obsessive great writer. Either way, he is turning the crime novel's mean streets into superhighways." <i>--Financial Times</i> "Nobody in this generation matches the breadth and depth of James Ellroy's way with noir." <i>-- Detroit News</i>"A blood poet who writes as chain saws crank, Ellry has vigorously redefined the well-shadowed turf of contemporary crime fiction." --<i>The Atlanta Journal-Constitution</i>"His spare noir style . . . hits like a cleaver but . . . is honed like a scapel." --<i>Chicago Tribune</i>"Ellroy's characters are drawn with a firm brush, he has an excellent line in flinty, sardonic dialogue, and you terribly want to know how the whole thing is going to work out in the end." --<i>The New York Times</i>"Our best living mystery writer. . . . Literate, suspenseful, honest. . . . His pages crackle with maniac energy. . . . Ellroy captures the vocabulary, the rituals, the smells and rhythms and colors of real people living on the edge. . . . Nobody since Chandler has evoked so perfectly the seamy side of LA." --<i>Austin Chronicle</i>"Bold, electrifying. . . . Ellroy strips prose to its raw, gleaming bone. . . . James Ellroy is an American original, a sophisticated primitive as smooth as the <i>snick-snick!</i> of a pump shotgun and as subtle as the inevitable blast." --<i>The San Diego Union-Tribune</i>"Ellroy's writing is powerful . . . his pacing relentless . . . his characters real. He is a major talent." --<i>Miami Herald</i>"More than any other contemporary author, Ellroy gets inside the skull of the sadistic psychopath. . . . A true original." --Jonathan Kellerman<br><p/><br></br><p><b> About the Author </b></p></br></br>James Ellroy was born in Los Angeles in 1948. His L.A. Quartet novels-<b>The Black Dahlia</b>, <b>The Big Nowhere</b>, <b>L.A. Confidential</b>, and <b>White Jazz</b>-were international bestsellers<b><i>. American Tabloid</i></b> was <i>Time</i>'s Novel of the Year for 1995; his memoir <b>My Dark Places</b> was a <i>Time</i> Best Book of the Year and a <i>New York Times</i> Notable Book for 1996; his most recent novel, <b>The Cold Six Thousand</b>, was a <i>New York Times</i> Notable Book and a <i>Los Angeles Times</i> Best Book of the Year for 2001. He lives on the California coast.
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