Perfidia - by James Ellroy (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"A pulse-pounding, as-it-happens narrative that unfolds in Los Angeles over twenty-three days beginning on December 6, 1941. The Japanese have bombed Pearl Harbor. The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing expose of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the "Demon Dog of American Crime Fiction.""--]cProvided by publisher.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>NATIONAL BESTSELLER <br>AN NPR BEST BOOK OF THE YEAR</b> <p/>Los Angeles. December, 1941. America stands at the brink of World War II. War fever and racial hatred grip the city. <p/> The hellish murder of a Japanese family summons three men and one woman. LAPD captain William H. Parker is superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith--Irish émigré, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls--comrades, rivals, lovers, history's pawns. <p/> Here, Ellroy gives us the party at the edge of the abyss and the precipice of America's ascendance. <i>Perfidia</i> <i>is</i> that moment, spellbindingly captured.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A powerful roar of a story. . . . Wickedly elaborate, its plotting brilliant. . . . Kudos to Ellroy for elevating the crime genre." --<i>San Francisco Chronicle</i> <p/>"Pure, unadulterated Ellroy and a darkly compelling deconstruction of the recent American past. . . . <i>Perfidia</i> shows us the war on the home front as we have never seen it before." --<i>The Washington Post</i> <p/> "[The first L.A. Quartet] made Ellroy America's best crime novelist. . . . <i>Perfidia</i> represents new depth, scope, and craftsmanship in [his] canon. It is his finest work." --<i>Austin Chronicle</i> <p/> "Ellroy successfully spins a drug-alcohol-and-nefarious-deeds-fueled wartime web of double-dealing betrayal, insidious activities, and gruesome atrocities. . . . . It's tough and ugly and infuriating--and relentlessly readable." --<i>The Boston Globe</i> <p/>"One of the great American writers of our time." --<i>Los Angeles Times</i> <p/>"A brilliant, breakneck ride. Nobody except James Ellroy could pull this off. He doesn't merely write--he ignites and demolishes."--Carl Hiaasen <p/>"[Ellroy's] style--jumpy, feverish, and anarchic--mirrors the world we enter. . . . [He] depicts with frightening authenticity how those innocent of crimes are knowingly framed in the interest of the almighty 'greater good'." --Dennis Lehane, <i>The New York Times Book Review</i> <p/>"Ellroy has a way of giving gravitas to ugliness and making brutality beautiful. . . . To see him operating this way, full of power and totally in his comfort zone, is an awesome thing to behold." --NPR/<i>All Things Considered</i> <p/>"Ask me to name the best living novelist who's fierce, brave, funny, scatological, beautiful, convoluted, and paranoid . . . and it becomes simple: James Ellroy. If insanity illuminated by highly dangerous strokes of literary lightning is your thing, then Ellroy's your man." --Stephen King, <i>Entertainment Weekly</i> <p/>"Grittier than Chandler, more operatic than Hammett, and more violent even than Cain. . . . Ellroy whittles [his characters'] thoughts and actions into sentences the way others do shivs--lean, brutalist, and intended to puncture, to penetrate." --<i>Interview</i> magazine <p/>"It is welcome news that Ellroy's latest effort, <i>Perfidia</i>, returns home, sliding in as a prequel to the L.A. Quartet<i>, </i>set in the previous decade. . . . He is driven by a paradoxical obsession: to keep on digging up dark memories of the city, in the hope of rising above the psychic traumas of the past--not reborn, but newly wise." --<i>The Atlantic</i> <p/>"If Ellroy's bitter visions entice you, <i>Perfidia</i> will take you once again to the underbelly of American history. . . . You will dive into <i>Perfidia</i> with a shiver that is equal parts anticipation and fear--because you know it's going to get very dark very fast. . . . Ellroy's singular style has been described as jazzlike or telegraphic; here it is insomniac, hallucinogenic, nightmarish."<i> --Tampa Bay Times</i> <p/>"There has <i>never</i> been a writer like James Ellroy. . . . He has been making real a secret world behind the official history of America . . . and to enter it is to experience a vivid eyeball rush of recognition." --<i>The Telegraph </i>(London)<br> <i><br>"Perfidia</i> brings the two sides of his work together: the period crime-writing of <i>LA Quartet</i>, with its highlighting of police misdemeanors, and the wider politico-historical concerns of his subsequent <i>Underworld USA</i> trilogy." --<i>The Guardian </i>(London)<i>, </i>"Essential New Fiction" <p/>"A war novel like no other. . . . There's no telling the good guys from the bad in Ellroy's Los Angeles, because there are no good guys. . . . Ellroy is not only back in form--he's raised the stakes." --<i>Kirkus Reviews</i> (starred review) <p/>"A return to the scene of Ellroy's greatest success and a triumphant return to form. . . . His character portrayals have never been more nuanced or--dare we say it--sympathetic. . . . A disturbing, unforgettable, and inflammatory vision of how the men in charge respond to the threat of war. It's an ugly picture, but just try looking away." --<i>Booklist</i> (starred review)<br><p/><br></br><p><b> About the Author </b></p></br></br>James Ellroy was born in Los Angeles in 1948. He is the author of the L.A. Quartet: <i> The Black Dahlia, The Big Nowhere, L.A. Confidential, </i> and <i>White Jazz, </i>and the Underworld U.S.A. Trilogy: <i>American Tabloid, The Cold Six Thousand, </i>and <i>Blood's A Rover.</i> These seven novels have won numerous honors and were international best sellers. Ellroy currently lives in Los Angeles. <p/>www.jamesellroy.net
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