The Cherry Orchard - (Modern Plays) by Anton Chekhov (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"This new translation of The cherry orchard premiered at Bristol Old Vic on March 2018, later transferring to the Royal Exchange Theatre in Manchester for a run from 19 April 2018"--Forematter.<p/><br></br><p><b> Book Synopsis </b></p></br></br>A civilised and complacent culture is on the brink of collapse...<br/><br/>The tide of change is coming. Madam Ranyevskaya's liberal world of privilege and pleasure is beginning to show cracks, but she and her family live on in denial.<br/><br/>Lopakhin wants to rescue Ranyevskaya. The hard-working son of one of her family's serfs, his new-found wealth can offer shelter and security to the woman he has loved since boyhood, but it will come at a high price.<br/>Meanwhile, revolution hangs in the air, the poor and hungry are pushing at the doors, and the tutor Trofimov predicts a tumultuous change for everybody.<br/><br/>Chekhov's final masterpiece is full of wild humour and piercing sadness in this fresh, funny and honest new translation by award-winning playwright and Russian speaker Rory Mullarkey. A portrait of changing times, it maps the building tensions between the desperate longing to hold onto what is familiar and the restless lure of the new.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Rory Mullarkey's poetical, darkly funny but never murky adaptation proves stimulating and surprising . . . makes you laugh one moment and shudder the next<br/>Times on The Oresteia<br><br>The verse rhythms are fluid and flexible, allowing for passages of lyric song, and the language is pithy and vivid . . . shows how "justice" - the word that resounds through Mullarkey's text like a drumbeat - easily transmutes into blood-soaked revenge.<br/>The Guardian on The Oresteia<br><br>There are ticklish jokes and moments of enjoyable mischief...<br/>Evening Standard on Saint George and the Dragon<br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Anton Chekhov</b> (1860-1904), Russian physician, dramatist and author, is considered to be one of the greatest writers of short stories and modern drama. Born in Taganrog, a port town near the Black Sea, he attended medical school at Moscow University. He began writing to supplement his income, writing short humorous sketches of contemporary Russian life. A successful literary careered followed, before his premature death of TB at the age of 44. He is best-remembered for his four dramatic masterpieces: <i>The Seagull</i> (1896), <i>Uncle Vanya</i> (1899), <i>Three Sisters</i> (1901) and <i>The Cherry Orchard</i> (1904). <p/><b>Rory Mullarkey</b> graduated in 2009 from Cambridge, after which he studied at the State Theatrical Arts Academy of St. Petersburg. A translator of Russian Drama, Mullarkey's translations have been produced by the ADC Theatre, The Royal Court and the Free Theatre of Belarus. Plays include <i>Single Sex </i>(Royal Exchange); <i>Remembrance Day </i>(Royal Court), <i>Tourism </i>(Headlong) and <i>Come To Where I'm From</i> (Paines Plough). Mullarkey spent 2010 as Writer-on-Attachment at the Royal Court Theatre, London, and 2011 as the Pearson Writer in Residence at the Royal Exchange, Manchester. His <i>The Grandfathers</i> was programmed as part of the National Theatre's 2012 <i>Connections: Plays for Young People</i>. In 2014, Rory Mullarkey won the Harold Pinter Playwriting Prize, the George Devine Award (jointly with Alice Birch) and the James Tait Black Prize for Drama for his play <i>Cannibals</i>, published by Methuen Drama.</p>
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