Wild Honey - (Modern Plays) 2nd Edition by Anton Chekhov (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Michael Frayn's comedy of errors, drawn from Chekhov's untitled and posthumously discovered early play, is a tale of nineteenth-century Russian life replete with classic misunderstandings, irrepressible desires and nostalgia for a vanishing world.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Oh, Misha, it's terrible to be an educated woman. An educated woman with nothing to do. What am I here for? Why am I alive? They should make me a professor somewhere, or a director of something ... If I were a diplomat I'd turn the whole world upside down ... An educated woman ... And nothing to do.</i><br/><br/>Village schoolmaster Mikhail Vasilyevich has it all: wit, intelligence, a comfortable and respectable life in provincial Russia, and the attentions of four beautiful women - one of whom is his devoted wife... As summer arrives and the seasonal festivities commence, the rapidly intensifying heat makes everyone giddy with sunlight, vodka - and passion.<br/><br/>Michael Frayn's comedy of errors, drawn from Chekhov's untitled and posthumously discovered early play, is a tale of nineteenth-century Russian life replete with classic misunderstandings, irrepressible desires and nostalgia for a vanishing world. <br/><br/><i>Wild Honey </i>received its premiere in the National Theatre's Lyttelton space, London, on 19 July 1984. This edition was published for the revival at the Hampstead Theatre in December 2016.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>A brilliant piece of theatre bearing the stigmata of genius<br/>Guardian<br><br>A tight, moving and funny new play in four beautifully organised acts that casts equal credit on Chekhov and his adaptor<br/>Financial Times<br><br>The triumph of Frayn's translation/adaptation is to have taken all the bones of this immature work and moulded it to offer us a tantalising glimpse of the genius to come<br/>City Limits<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Michael Frayn</b> was born in London in 1933 and read Russian, French and Moral Sciences (Philosophy) at Emmanuel College, Cambridge. He began his career as a journalist on the <i>Manchester Guardian</i> and the <i>Observer</i>. His award-winning plays include <i>Alphabetical Order</i>, <i>Make and Break</i> and <i>Noises Off</i>, all of which received Best Comedy of the Year awards, while <i>Benefactors </i>was named Best Play of the Year. Two of his more recent plays, <i>Copenhagen </i>and <i>Democracy</i>, also won numerous awards (including, for Copenhagen, the Tony in New York and the Prix Molière in Paris). In 2006 <i>Donkeys' Years </i>was revived in the West End thirty years after its premiere and was followed in 2007 by <i>The Crimson Hotel</i>, at the Donmar, and by <i>Afterlife</i>, at the National Theatre, in 2008. His most recent plays include Frayn has translated Chekhov's last four plays, dramatised a selection of his one-act plays and short stories under the title <i>The Sneeze</i>, and adapted his first, untitled play, as <i>Wild Honey</i>. Frayn's novels include <i>Towards the End of the Morning</i> (in the USA, <i>Against Entropy</i>), <i>The Trick of It</i>, <i>A Landing on the Sun</i>, <i>Headlong </i>and <i>Spies</i>. His most recent books were a work of philosophy, <i>The Human Touch</i>, and <i>Stage Directions</i>, a collection of his writing on the theatre.
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