<p/><br></br><p><b> About the Book </b></p></br></br><p>With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, <i>The Art of Reflection</i> is the first sustained inquiry into the appropriation of self-portraiture by women painters, photographers, scultptors, and performance artists.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br>With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, The Art of Reflection is the first sustained inquiry into the appropriation of self-portraiture by women painters, photographers, scultptors, and performance artists.<p/><br></br><p><b> From the Back Cover </b></p></br></br>This is the first book of its kind to examine a wide variety of women's self-portraiture (including performance and body art), thereby reclaiming important works that have been marginalized by a cultural fixation with male self-portraiture. In lucid prose, gratefully unfettered by jargon and rhetoric, Meskimmon moves us to the ineluctable conclusion that an examination of art and art criticism is less than half-precise when it is only half-gendered, and that our present notions of female subjects in art must be significantly reformulated.<p/><br></br><p><b> About the Author </b></p></br></br>Marsha Meskimmon is author of <i>Domesticity and Dissent: The Role of Women Artists in Germany, 1918-1938, </i> and coeditor of <i>Visions of the Neue Frau: Women in the Visual Arts in Weimar Germany.</i>
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