Theater, Garden, Bestiary - (Sternberg Press) by Tristan Garcia & Vincent Normand (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions.</b><p>This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site. </p><p><b>Contributors</b></p><p>Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphaël Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stéphane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, João Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe</p><p></p><p/><br></br><p><b> About the Author </b></p></br></br>Tristan Garcia is a philosopher and writer. He codirected the research project <i>Theater, Garden, Bestiary: A Materialist History of Exhibitions </i>at ECAL/University of Art and Design Lausanne (2015-17). His academic publications include: <i>Form and Object: A Treatise on Things </i>and <i>The Life Intense: A Modern Obsession</i>. In 2008 he won the Prix de Flore for his first novel: <i>Hate: A Romance</i>. <p/>Vincent Normand is an art historian, writer, and occasional curator. He teaches at ECAL/University of Art and Design Lausanne, where he codirected the research project <i>Theater, Garden, Bestiary: A Materialist History of Exhibitions </i>(2015-17). He is codirector and coeditor of the research platform and journal <i>Glass Bead</i>. He has curated exhibitions at Centre Pompidou, Paris; LABOR, Mexico City; David Roberts Art Foundation, London; and elsewhere. <p/>Lucy Steeds is Reader in Art Theory and Exhibition History at Central Saint Martins, University of the Arts, London. She is coeditor of <i>The Curatorial Conundrum: What to Study? What to Research? What to Practice? </i>and <i>How Institutions Think</i> (both published by the MIT Press). <p/>Filipa Ramos is editor-in-chief of <i>art-agenda</i> and a Lecturer in Experimental Film at Kingston University and Moving Image at Central Saint Martins, London. She is the author of <i>Lost and Found: Crisis of Memory in Contemporary Art </i>(2009). <p/>Vincent Normand is an art historian, writer, and occasional curator. He teaches at ECAL/University of Art and Design Lausanne, where he codirected the research project <i>Theater, Garden, Bestiary: A Materialist History of Exhibitions </i>(2015-17). He is codirector and coeditor of the research platform and journal <i>Glass Bead</i>. He has curated exhibitions at Centre Pompidou, Paris; LABOR, Mexico City; David Roberts Art Foundation, London; and elsewhere. <p/>Anna-Sophie Springer, an independent exhibition maker, is the director of K. Verlag, a publishing imprint and curatorial-editorial platform based in Berlin and Toronto. <p/>Etienne Turpin is a philosopher and the founding director of anexact office, a design research practice based in Jakarta and Berlin. <p/>Tristan Garcia is a philosopher and writer. He codirected the research project <i>Theater, Garden, Bestiary: A Materialist History of Exhibitions </i>at ECAL/University of Art and Design Lausanne (2015-17). His academic publications include: <i>Form and Object: A Treatise on Things </i>and <i>The Life Intense: A Modern Obsession</i>. In 2008 he won the Prix de Flore for his first novel: <i>Hate: A Romance</i>. <p/>Yuk Hui is a philosopher based in Berlin and the author of <i>On the Existence of Digital Objects</i> and <i>Recursivity and Contingency</i>. <p/>Anselm Franke has been Head of Visual Arts and Film at Haus der Kulturen der Welt (HKW) since 2013. <p/>Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Middlesex University, London. Editor of the journal<i> Radical Philosophy</i>, he is the author of <i>The Politics of Time: Modernity and Avant-Garde</i>.
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