Bark - (Vintage Contemporaries) by Lorrie Moore (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>A <i>New York Times</i> Notable Book<br>A Washington Post Notable Book<br>A Best Book of the Year: <i>San Francisco Chronicle</i>, NPR, <i>Financial Times</i>, <i>St. Louis Post-Dispatch</i>, <i>BookPage</i></b> <p/>"Heartbreaking. . . . Mordantly funny. . . . Takes us on a rare flight of self-transcendence. . . . Moments of recognition bring jolts like electric shocks." --<i>The New York Review of Books</i> <p/> "Wonderful. . . . Masterful. . . . Profound. . . . Not a single false note." --<i>USA Today<br></i><br> "[Moore] deftly paints with negative space, releasing tremendous poignancy. . . . A vibrant and nimble display of Moore's signature wit." --<i>San Francisco Chronicle<br></i><br> "Ms Moore's writing glides. She describes the mundane with precision and grace. . . . <i>Bark</i> simultaneously honours and regrets the messiness of human relationships. Ms Moore is like one of her characters: 'sternness in one eye and gentleness in the other.'" --<i>The Economist <br></i><br> "One of the finest short story writers in the country." --<i>Los Angeles Review of Books <br></i><br> "[Moore's] writing contains multitudes, mixed in exacting proportions, which is to say: this potpourri is utterly and totally unique. . . . There really is no one quite like her." --<i>The New Republic</i> <p/> "Lorrie Moore still dazzles. . . . These powerfully, almost savagely, human stories shine with a spirit of playfulness and the logic of love." --<i>O, The Oprah Magazine</i></p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p><b>A Frank O'Connor International Short Story Prize Finalist<br></b><br>"Uncanny. . . . Moving. . . . A powerful collection." --<i>The Washington Post</i> <p/>"Moore's one of the country's most admired writers. . . . [<i>Bark</i>] shows off a true advance of Moore's powers and offers some first-rate reading pleasure." --NPR <p/> "[<i>Bark</i> is] a book to which people will refer back to understand life as we lived it in the past ten years." --<i>Salon<br></i><br> "Her stories, her stories, are perfect." --<i>Slate<br></i><br> "Here is why one reads Moore: the terse, true polish of her emotional wisdom." --<i>The Boston Globe</i> <p/> "Probably no writer since Nabokov has been as language-obsessed as Moore. . . . [<i>Bark</i>] lets us contemplate and savor just what makes her work unique." --<i>The New York Times Book Review </i>(cover) <p/> "Irresistible." --<i>Minneapolis Star Tribune</i> <p/> "100% brilliant, as usual. . . . Moore has come to enjoy the unusual distinction of being just about the darkest light writer around. Unhappiness, heartbreak, illness, grief, disappointment--who'd have thought they could be so much fun?" --Geoff Dyer, <i>The Observer</i> (London) <p/> "Extraordinary. . . . Moore's construction of a sentence, a paragraph, a page, is rarely less than exhilarating. . . . There is a moral nobility to Moore's assertion that even the least brilliant of lives deserve to be brilliantly documented. . . .<b> </b>Moore does not make us feel better; she hurts us. But she hurts us in vital, generous ways, and it is testament to the brilliance of her writing that we let her." --<i>The Times Literary Supplement</i> (London) <p/> "If you adore Lorrie Moore, as so many of us do, you'll find much to enjoy in her new collection. . . . All the sparkly balls are in play--puns, politics, pop culture details, sometimes all at once." --<i>Newsday<br></i><br> "If you had to criticize one thing about Lorrie Moore--and I don't know why you would, because she's awesome--it might be that her humor and her world-weary sense of the absurd are almost too distinctive. . . . But I don't have the heart to really complain about any of this: I've been addicted to Moore's voice for a long time now and want more, not less, of it." --<i>Entertainment Weekly<br></i><br> "Laugh-out-loud funny. . . . Reading the stories one after another is a reminder of her uncanny ability to sum up, in a sentence or two, the truths that might take a lifetime to grasp." --<i>Houston Chronicle<br></i><br> "Lorrie Moore's writing is strange and wonderful. It should be among anyone's top reasons for being alive." --<i>PopMatters<br></i><br> "A vital work of literature." --<i>Electric Literature</i><br></p><br><p/><br></br><p><b> About the Author </b></p></br></br><p>Lorrie Moore, after many years as a professor of creative writing at the University of Wisconsin-Madison, is now Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the Irish Times International Prize for Literature and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her novel <i>A Gate at the Stairs </i>was shortlisted for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award. </p>
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