Veronica - (Vintage Contemporaries) by Mary Gaitskill (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The long-awaited novel from the acclaimed author of "Bad Behavior" is a dark fairy tale set in Paris and Manhattan in the 1980s--a story about beauty, narcissism and appetite, transience, aging and mortality.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>A finalist for the National Book Award and National Book Critics Circle Award, here is an evocative novel about female friendship in the glittering 1980s. <p/> Alison and Veronica meet amid the nocturnal glamour of 1980s New York: One is a young model stumbling away from the wreck of her career, the other an eccentric middle-aged office temp. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly from present and past, casting a fierce yet compassionate eye on two eras and their fixations, the result is a work of timeless depth and moral power.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"Gatiskill is enormously gifted. . . . [<i>Veronica</i>] is a masterly examination of the relationship between surface and self, culture and fasion, time and memory. --<i>The New York Times Book Review</i> <p/>Gaitskill has written a novel that will leave you shaking and joyful simultaneously, dizzy with the proximity of private terror and bottomless hope. --<i>O, The Oprah Magazine </i></p><p>"Twisted, beautiful, grotesque, graceful, and exceedingly well-executed. People write their whole lives in the hope of coming up with just one sentences that rises to the level of this book." --<i>The Sunday Oregonian</i></p><p>"Gaitskill taps into a deeper vein of emotional force, and with vivid language and an absorbing architecture, she delivers her most affecting, sophisticated work to date." --<i>The Boston Globe</i></p><p>"Beautiful, devastating. . . . Gaitskill devotes almost religious attention to language and to our failure to make our lives as grand as the art we love. There are paragraphs like poems in <i>Veronica </i>that lure you back, over and over." --<i>Elle</i></p><p>Gaitskill writes so radiantly about violent self-loathing that the very incongruousness of her language has shocking power. --Janet Maslin, <i>The New York Times</i></p><p>Sensuous and precise. . . . <i>Veronica</i> captures the nexus between the erotic glamour [of the 1980's] and its epic heartlessness. --<i>Entertainment Weekly</i></p><p>Gaitskill writes from the gut . . . [Her] characters bleed, sweat, cry, and they experience sadness, anger and love as much as a physical sensation as an emotion. --<i>San Francisco Chronicle</i></p><p>Gaitskill's style is gorgeously caustic . . . Her ability to capture abstract feelings and sensations with a prescise and unexpected metaphor is a squirmy delight to encounter in such abundance. --Heidi Julavits, <i>Pubishers Weekly</i></p><p>"[<i>Veronica</i>] creates an atmosphere, provokes a response, and suffuses us with an emotion that we can easily, all too easily, summon up. It's art that you can continue to see even with your eyes closed. --Francine Prose, <i>Slate</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br>Mary Gaitskill is the author of the story collections <i>Bad Behavior, Because They Wanted To</i> (nominated for a PEN/Faulkner Award), and <i>Don't Cry, </i> and the novels <i>The Mare, </i> <i>Veronica</i> (nominated for a National Book Award) and <i>Two Girls, Fat and Thin</i>. She has received a Guggenheim Fellowship, and her work has appeared in <i>The New Yorker, Harper's, Esquire, The Best American Short Stories, </i> and <i>The O. Henry Prize Stories</i>.
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