The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film - by M Flisfeder (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Argues that Zižek's writings on film and cinema radically reorient the apolitical scope of contemporary film studies.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Zizek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"This is a wonderfully lucid and perceptive account of how the i ekian approach to cinema provides the theoretical coordinates for our understanding of ideology. Via i ek, Matthew Flisfeder makes a compelling case for a Lacanian reading of film which, once freed from old debates on spectatorship, has a chance to strike a formidable alliance with Marxism to invite us to rethink our world through the eyes of film." - Fabio Vighi, reader in Film and Critical Theory, Cardiff University, UK</p> <p>"Matthew Flisfeder's The Symbolic, The Sublime, and Slavoj i ek's Theory of Film marks a decisive moment in film studies. It is the first book to take full account of Slavoj i ek's significance for the analysis of film, and it does so in an exhaustive and insightful way. Though there now exist many recent books on Lacanian film theory and on Slavoj i ek's thought, no books exist that explain i ek's intervention in the domain of film studies. Not only does Flisfeder open new ground in this way, but he also creates a work that is accessible and theoretically sophisticated at the same time, much like i ek's own thought. It will provide a point of entry into the implications of i ek's philosophy on the analysis of cinema for all levels, from undergraduate students to professors of film studies. Flisfeder's book is a treasure for all." - Todd McGowan, associate professor of Film Studies, University of Vermont. USA</p> <p>"[Flisfeder's] book insists on the need for a sophisticated and politically aware psychoanalytic film theory, and he makes an effort to answer the question about the relevance of Lacanian film theory today . . . This book may help to ignite an exciting new trend in film theory, and I welcome it." Canadian Journal of Communication</p><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Matthew Flisfeder</b> is Assistant Professor in the Department of Rhetoric, Writing, and Communications, at the University of Winnipeg, Canada. He is author of <i>Postmodern Theory and Blade Runner </i>(2017), and co-editor (with Louis-Paul Willis) of <i>Zizek and Media Studies: A Reader </i>(2014).
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