Phantom Noise - by Brian Turner (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>In the aftermath of his bestselling collection "Here, Bullet," Turner deftly turns his attention to the war in Iraq. These prophetic poems wage a daily battle for normalcy, seeking structure in the quotidian while grappling with the absence of forgetting.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>In the aftermath of best-selling <i>Here, Bullet</i>, Brian Turner deftly illuminates existence as both easily extinguishable and ultimately enduring. These prophetic, osmotic poems wage a daily battle for normalcy, seeking structure in the quotidian while grappling with the absence of forgetting.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>In <em>Phantom Noise</em>, the speaker recognizes the degree to which language is a co-creative of reality...and as such, these poems begin to interrogate the speaker's entanglement in acts that he had heretofore largely only recorded."--<em>The American Poetry Review</em></p> <p>[Turner's] writing is crisp, reportorial, earnest... [He] challenges us to experience war at its worst and confront its human costs without ideology or nationalism.--<em>The Georgia Review</em></p> <p>In many ways, this is not a collection for the faint-hearted, dealing as it does with deaths and mutilations. However, its scope is broader than that, as it also skillfully looks at history, culture, love, and family.--<em>The North</em></p> <p>[Turner's] is a poetry of horror, but also one of love and loss, infused with the restless spirits of the dead who hover over the living on both sides...His is a voice of honesty and despair, of imperfection and a self-awareness that most of us can only pretend to possess.--<em>Connotation Press: An Online Artifact</em> </p> <p>Turner's book of poems is something that transcends poetry...--<em>New Pages</em></p> <p>Turner's second book, <em>Phantom Noise</em>, continues to bear witness...looking on with equal parts courage and concern, but also as a poet whose language is always drawing comparisons, shifting the picture to encompass not just one tragedy, but a world's worth...--<em>Salamander</em></p> <p>Turner's resilient, humane poems remind us of war's impact but also provoke and question.--<em>The Guardian</em></p> <p>It's hard to think of a better way around ideology than poetry like this. Turner shows us soldiers who are invincible and wounded, a nation noble and culpable, and a war by turns necessary and abominable. He brings us closer to our own phantom guilt and speaks the words that we both do and do not want to hear.--<em>The Washington Post</em></p> <p>...we need [Turner's] bracing "bullet-borne language" as he tries to reconcile the chaos of Iraq with the demands of the poetic line.--<em>The New York Times</em></p><br><br><br><p>In <i>Phantom Noise</i>, the speaker recognizes the degree to which language is a co-creative of reality...and as such, these poems begin to interrogate the speaker's entanglement in acts that he had heretofore largely only recorded."--<i>The American Poetry Review</i></p><p>[Turner's] writing is crisp, reportorial, earnest... [He] challenges us to experience war at its worst and confront its human costs without ideology or nationalism.--<i>The Georgia Review</i></p><p>In many ways, this is not a collection for the faint-hearted, dealing as it does with deaths and mutilations. However, its scope is broader than that, as it also skillfully looks at history, culture, love, and family.--<i>The North</i></p><p>[Turner's] is a poetry of horror, but also one of love and loss, infused with the restless spirits of the dead who hover over the living on both sides...His is a voice of honesty and despair, of imperfection and a self-awareness that most of us can only pretend to possess.--<i>Connotation Press: An Online Artifact</i></p><p>Turner's book of poems is something that transcends poetry...--<i>New Pages</i></p><p>Turner's second book, <i>Phantom Noise</i>, continues to bear witness...looking on with equal parts courage and concern, but also as a poet whose language is always drawing comparisons, shifting the picture to encompass not just one tragedy, but a world's worth...--<i>Salamander</i></p><p>Turner's resilient, humane poems remind us of war's impact but also provoke and question.--<i>The Guardian</i></p><p>It's hard to think of a better way around ideology than poetry like this. Turner shows us soldiers who are invincible and wounded, a nation noble and culpable, and a war by turns necessary and abominable. He brings us closer to our own phantom guilt and speaks the words that we both do and do not want to hear.--<i>The Washington Post</i></p><p>...we need [Turner's] bracing "bullet-borne language" as he tries to reconcile the chaos of Iraq with the demands of the poetic line.--<i>The New York Times</i></p><br><br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Brian Turner</b> earned an MFA from the University of Oregon before serving with the US Army as an infantry team leader in Iraq. He has been featured on National Public Radio, <i>The NewsHour with Jim Lehrer</i>, and the BBC. He has received an NEA Literature Fellowship in Poetry, the Amy Lowell Poetry Traveling Scholarship, and a fellowship from the Lannan Foundation.</p> <p/>
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