Leos Carax - (French Film Directors) by Fergus Daly & Garin Dowd (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>"Leos Carax" is a study of the films of this popular "enfant terrible" of contemporary French cinema. The key ingredients and influences of Carax's four films (including "Les Amants du Pont Neuf" and "Pola X") are examined here: Paris, pop music, flanerie and amour fou, mannerist and neo-baroque aesthetics, the "Nouvelle Vague" and contemporary naturalist cinema. The authors draw on a variety of intellectual sources, from Deleuze's philosophy of Cahiers-based film criticism to theories of art and literature, in order to disentangle the complex web of biographical mythology, formal and intellectual cinematic concerns, flamboyant imagery and intertextual references woven by Carax and his films in the last two decades of the 20th century. Daly and Dowd argue that critical instincts seeking the key to the visionary poetics of Carax's cinema can most profitably directed towards the recent history of maverick mannerist and baroque auteurs. From Ruiz and Rivette to Garrel and Techine, and their explorations of the "powers of the false", rather than Godard or the "cinema du look" fraternity of Besson and Beineix. Part of the "French Film Directors" series, this text should be of use to all fans and scholars of contemporary French cinema.<p/><br></br><p><b> From the Back Cover </b></p></br></br>The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors.<p/><br></br><p><b> About the Author </b></p></br></br><br>Fergus Daly is a freelance writer and academic and is the co-director of the documentary film 'Abbas Kiarostami: The Art of Living' <p/>Garin Dowd is Principal Lecturer in Critical Theory and Film in the London College of Music and Media at Thames Valley University in London<br>
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