<p/><br></br><p><b> Book Synopsis </b></p></br></br>Three new plays from three of the UK's most celebrated playwrights. All rooted in West London, the plays explore race, identity and our sense of place and purpose, presented together as one piece, <i>Out West.</i><br/><br/><i>The Overseas Student</i> by Tanika Gupta<br/>London. 1888. An 18-year-old Gandhi has just arrived from India to study Law. Miles from home, his wife and his family, we see him navigate a time of uncertainty, growth and opportunity. As he builds a new life, he explores the joys of money, food and women whilst facing the struggles of class and imperialism. Gupta's sharp and profound play is an insight into the teenage years of a man we know will grow up to be one of the most significant figures in history.<br/><br/><i>Blue Water and Cold and Fresh</i> by Simon Stephens<br/>London. 2020. A walk back in time. A walk that may change everything he's ever believed.<br/>In the wake of city lockdown living and the Black Lives Matter protests, one man's journey across London raises difficult truths he has to confront. The death of a loved one. His father's racism. His own white privilege. This heartfelt piece explores what it means to be a father, husband and son.<br/><br/><i>Go, Girl</i> by Roy Williams<br/>London. 2020. Working as a security guard at Westfield and a mother to a teenage daughter, Donna sees her life as unremarkable. Why have things not turned out how she pictured when she was a young girl, inspired by the words of Michelle Obama? The hope and excitement she once felt has now become isolation and judgement of the choices she has made. Until one night Donna gets a call from her daughter that makes her rethink her entire life. As their bravery and humanity is tested, Donna realises just how remarkable they both truly are. A celebration of Black women, everyday heroism and female resilience.<p/><br></br><p><b> About the Author </b></p></br></br><p><b>Roy Williams</b>, OBE, worked as an actor before turning to writing full-time in 1990. He graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing and participated in the 1997 Carlton Television screenwriter's course. The <i>No Boys Cricket Club</i> (Theatre Royal, Stratford East, 1996) won him nominations for the TAPS Writer of the Year Award 1996 and for New Writer of the Year Award 1996 by the Writers' Guild of Great Britain. He was the first recipient of the Alfred Fagon Award 1997 for <i>Starstruck </i>(Tricycle Theatre, London, 1998), which also won the 31st John Whiting Award and the EMMA Award 1999. <i>Lift Off</i> (Royal Court Theatre Upstairs, 1999) was the joint winner of the George Devine Award 2000. <p/><b>Simon Stephens</b> began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include <i>Bluebird </i>(Royal Court Theatre) <i>Herons </i>(Royal Court Theatre, 2001); <i>Port </i>(Royal Exchange Theatre, Manchester, 2002); <i>One Minute</i> (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); <i>Christmas </i>(Bush Theatre, 2004); <i>Country Music</i> (Royal Court Theatre Upstairs, 2004); <i>On the Shore of the Wide World</i> (Royal Exchange Theatre and National Theatre, London, 2005); <i>Motortown</i> (Royal Court Theatre Downstairs, 2006); <i>Pornography </i>(Tricycle Theatre, London, 2009);<i> Harper Regan</i> (National Theatre, 2008); <i>Sea Wall </i>(Bush Theatre, 2009); <i>Heaven </i>(Traverse Theatre, 2009); <i>Punk Rock</i> (Lyric Hammersmith, London, 2009); <i>The Trial of Ubu </i>(Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); <i>A Thousand Stars Explode in the Sky </i>(co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); <i>Wastwater </i>(Royal Court Theatre Downstairs, 2011); <i>Morning </i>(Lyric Hammersmith, 2012); an adaptation of<i> A Doll's House (</i>Young Vic, 2012); an adaptation of <i>The Curious Incident of the Dog in the Night-Time</i> (National Theatre, 2012); <i>Blindsided </i>(Royal Exchange, 2014); and <i>Birdland </i>(Royal Court, 2014). <p/><b>Tanika Gupta: </b> Over the past 25 years Tanika has written over 25 stage plays that have been produced in major theatres across the UK and has written extensively for BBC Radio drama. Some of her theatre credits include<b>: </b> <i>A Doll's House</i> (Lyric Hammersmith) <i>Red Dust Road</i> - adaptation of Jackie Kay's memoir (NT Scotland); <i>Bones</i> (Central School for Speech and Drama) <i>Hobson's Choice</i> (Manchester Royal Exchange); <i>Lions And Tigers</i> (Globe Theatre. Winner of the James Tait Black Prize for Drama 2018); <i>A Short History of Tractors in Ukrainian </i>(Hull Truck Theatre); <i>Midsummer Night's Dream</i> (Globe Theatre -Dramaturg); <i>Anita and Me</i> (Birmingham Rep); <i>Love N Stuff</i> (Theatre Royal Stratford East); <i>The Empress </i>(Royal Shakespeare Company) and <i>Wah! Wah! Girls - A British Bollywood Musical</i> (Sadler's Wells)</p>
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