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Product info

There are moments on Drunk Tank Pink where you almost <br/>have to reach for the sleeve to check this is the same band <br/>who made 2018's Songs Of Praise. Such is the jump Shame <br/>have made from the riotous post-punk of their debut to the <br/>sprawling adventurism and twitching anxieties laid out here. <br/>The South Londoner's blood and guts spirit, that wink and <br/>grin of devious charm, is still present, it's just that it's grown <br/>into something bigger, something deeper, more ambitious and <br/>unflinchingly honest. <br/> The genius of Drunk Tank Pink is how these lyrical themes <br/>dovetail with the music. Opener Alphabet dissects the premise <br/>of performance over a siren call of nervous, jerking guitars, it's <br/>chorus thrown out like a beer bottle across a mosh pit. <br/>Songs spin off and lurch into unexpected directions throughout <br/>here, be it March Day's escalating aural panic attack or the <br/>shapeshifting darkness of Snow Day. There's a Berlin era Bowie <br/>beauty to the lovelorn Human For A Minute while closer Station <br/>Wagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the clouds <br/>and into the heavens. Or at least that's what it sounds like. <br/> From the womb to the clouds (sort of), Shame are currently <br/>very much in the pink.

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