<p/><br></br><p><b> About the Book </b></p></br></br><p>Thirteen stories explore domestic horrors and everyday violence, providing an intimate and unflinching portrait of twenty-first-century Latin America.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>This Ecuadorian short story collection explores </strong><strong>domestic horrors and everyday violence, a grotesque, unflinching portrait of</strong><strong> twenty-first-century Latin America (<em>Publishers Weekly</em>).</strong></p> <p>"Ampuero's literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects." --Yuri Herrera, author of <em>Signs Preceding the End of the World</em></p> <p>Named one of the ten best fiction books of 2018 by the <em>New York Times en Español</em>, <em>Cockfight</em> is the debut work by Ecuadorian writer and journalist María Fernanda Ampuero.</p> <p>In lucid and compelling prose, Ampuero sheds light on the hidden aspects of the home: the grotesque realities of family, coming of age, religion, and class struggle. A family's maids witness a horrible cycle of abuse, a girl is auctioned off by a gang of criminals, and two sisters find themselves at the mercy of their spiteful brother. With violence masquerading as love, characters spend their lives trapped reenacting their past traumas.</p> <p>Heralding a brutal and singular new voice, <em>Cockfight </em>explores the power of the home to both create and destroy those within it.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"Ampuero leads the international wave of Ecuadorian writers."<strong> --<em>New York Times en Español</em></strong></p> <p>"Ampuero writes with steely nerves and an ear for the beauty of simple, concrete language--not a word feels out of place." <strong>--<em>Kirkus Reviews</em></strong></p> <p>"Grotesque, unflinching. . . .This will appeal to fans of unrepentant feminist fiction." <strong>--<em>Publishers Weekly </em></strong></p> <p>"Deftly written with spare, exacting prose, <em>Cockfight</em>. . . .presents searing portraits of family life." <strong>--<em>Latino Book Review</em></strong></p> <p>"Wielded like a righteous cudgel against exploitative power, this Ecuadorian debut makes no bones about its intentions from the get-go. . . . Ampuero fights dirty and, frankly, that's just the sort of writer we need." <strong>--Center for the Art of Translation</strong></p> <p>Through sparing prose and exacting detail, with no time for decoration or pomp, Ampuero delivers timeless feminist fiction that packs a punch and sticks with you like tar. <strong><em>--Sounds and Colors</em></strong></p> <p>"Heralding a brutal and singular new voice, <em>Cockfight </em>explores the power of the home to both create and destroy those within it." <strong>--Independent Book Review </strong></p> <p>"Ampuero's literary voice is tough and beautiful at once: her stories are exquisite and dangerous objects." <strong>--Yuri Herrera, author of <em>Signs Preceding the End of the World</em></strong></p> <p>"This is true literary horror that doesn't tip into slasher territory, with confrontational, vivid characters." <strong><em>--Mslexia</em></strong></p> <p>"Brutal! Very intense." <strong>--Mariana Enríquez, author of <em>Things We Lost in the Fire</em></strong></p> <p>"María Fernanda Ampuero's voice is urgent, intimate, lyrical while never forgetting to cast humor during the darkest of violent moments. This is a writer of great power that the entire Americas will have to deal with for decades to come." <strong>--Ernesto Quiñonez, author of <em>Bodega Dreams</em></strong><em><br /></em><br />The stories in Ampuero's <em>Cockfight</em> vibrate with a singular voice, building a fictional universe dominated by violence and explorations of both power dynamics and exploitation. Ampuero's brutal and animalistic prose haunted me. I can't stop thinking about this book. <strong>--Cristina Rodriguez, Deep Vellum Books</strong></p><br><p/><br></br><p><b> About the Author </b></p></br></br><p><strong>María Fernanda Ampuero </strong>is a writer and journalist, born in Guayaquil, Ecuador, in 1976. She has published articles in newspapers and magazines around the world, as well as two nonfiction books: <em>Lo que aprendí en la peluquería</em> y <em>Permiso de residencia</em>. <em>Cockfight </em>is her first short story collection, and her first book to be translated into English.</p> <p><strong>Frances Riddle</strong> is a writer and translator based in Buenos Aires, Argentina. Her recent book-length translations include <em>Not One Less </em>by María Pía López (forthcoming, Polity Press); <em>Plebeian Prose </em>by Néstor Perlongher (Polity Press 2019); <em>The German Room </em>by Carla Maliandi (Charco Press 2018). Her short story translations, essays, and reviews have been published in the<em> White Review</em>, <em>Electric Literature</em>, the<em> Short Story Project</em>, and <em>Words Without Borders</em>, among others.</p>
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