<p/><br></br><p><b> About the Book </b></p></br></br><p>Bringing together a range of international scholars, <em>European Film Remakes</em> discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. </p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Bringing together a range of international scholars, <em>European Film Remakes</em> discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like <em>A Bigger Splash</em>, <em>Open Your Eyes</em> and <em>Perfect Strangers</em>. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry. </p><p/><br></br><p><b> From the Back Cover </b></p></br></br>Bringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like A Bigger Splash, Open Your Eyes and Perfect Strangers. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry. Eduard Cuelenaere is Postdoctoral Researcher in the Department of Communication Sciences at Ghent University. Gertjan Willems is Assistant Professor in the Departments of Literature and Communication Sciences at the University of Antwerp and Postdoctoral Fellow of the Research Foundation - Flanders (FWO) in the Department of Communication Sciences at Ghent University. Stijn Joye is Associate Professor in the Department of Communication Sciences at Ghent University.<p/><br></br><p><b> About the Author </b></p></br></br><p>Eduard Cuelenaere is a Postdoctoral researcher at the Department of Communication Sciences at Ghent University, Belgium. <p>Gertjan Willems is assistant professor at the University of Antwerp, in the departments of Literature and Communication Sciences, and a Postdoctoral Fellow of the Research Foundation - Flanders (FWO) at Ghent University <p>Stijn Joye is an associate professor at the Department of Communication Sciences at Ghent University, Belgium<p>
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