The Furies - (New York Review Books Classics) by Janet Hobhouse (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>A SELECTION OF THE LOST BOOKS CLUB <p/>An exhilarating, fiercely honest, ultimately devastating book, <i>The Furies</i> confronts the claims of family and the lure of desire, the difficulties of independence, and the approach of death. <p/>Janet Hobhouse's final testament is beautifully written, deeply felt, and above all utterly alive.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>This is a grim, tough, powerful, and beautiful book, the memoir of a genuine heroine, whose struggle against the calamities that beset her -- beginning with the wounds inflicted by a remote coldhearted father and a pathetically helpless mother and ending with the anguish of a wrecked marriage, the mother's suicide, and the author's own fatal illness -- was waged with enormous intelligence and fortitude, and even with flair. At the heart of the book -- and depicted with pitiless candor -- is the tortuous bond of love between mother and daughter. That at the end of her brief life, Janet Hobhouse could transform her suffering into a confession so precise and evocative and singularly unselfpitying, so strangely full of verve, strikes me as a considerable moral as well as literary achivement. -- Philip Roth <p/>A stunning heartbreaker of a book, shot through with pellucid sadness...[an] extraordinary last book in which [Hobouse's] pain is as insistent--and lustrous--as her craft. -- Daphne Merkin, <i>Los Angeles Times<br></i><br>[A] sad, beautiful--and profoundly affecting--meditation on love and death and family. -- Michiko Kakutani, <i>New York Times<br></i><br>A sort of Jamesian journey through the labyrinth of the narrator's consciousness, a finely tuned, highly intelligent, witty, self--examining and haunted instrument...This is an intense tale, told at fever pitch. Grab your hat and hang on for the ride. -- <i>The Boston Globe</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Janet Hobhouse</b> (1948-1991) was raised in New York City and educated at Oxford. She lived in London and New York and was the author of two works of non-fiction, <i> The Bride Stripped Bare</i>, a study of the female nude in art, and <i>Everybody Who Was Anybody: A Biography of Gertrude Stein</i>, and four novels, <i>Nellie Without Hugo</i>, <i>Dancing in the Dark</i>, <i>November</i>, and <i>The Furies</i>, which was published after her death from ovarian cancer at the age of forty-two. <p/><b>Daphne Merkin</b> is the author of <i>Enchantment</i>, a novel and <i>Dreaming of Hitler</i>, a collection of essays. Her cultural criticism has appeared in a range of publications, including <i>Vogue</i> and <i>The American Scholar</i>, and has been widely anthologized. She has been a staff writer for <i>The New Yorker</i>, and is currently a contributing writer at <i>Elle</i> and <i>The New York Times Magazine</i>. She lives in New York City, where she teaches writing, and is at work on a memoir, <i>Melancholy Baby</i>.
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