Agnes Varda Between Film, Photography, and Art - by Rebecca J Deroo (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative "mother" of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.<p/><br></br><p><b> From the Back Cover </b></p></br></br>"Rebecca DeRoo's latest publication, <i>Agnès Varda between Film, Photography, and Art, </i>offers her readers a dazzling study of the filmmaker's cinematographic art. Not only does DeRoo propose a refreshingly new dialogic approach to Varda's cinematic aesthetics, narrative practice, and sociopolitics, her analyses of individual films are full of insights that also, where appropriate, challenge established readings of Varda's work. This is truly a gem of a book."--Susan Hayward, Professor of Cinema Studies Emerita, University of Exeter <p/> "With extraordinary access to Agnès Varda's papers and production materials, Rebecca DeRoo's study uniquely illuminates what Varda called the 'three lives of Agnès'--as photographer, filmmaker, and visual artist. The author insightfully tracks Varda's generative semantic slippages across different media and also provides a smart reevaluation of the filmmaker's restless inventiveness. Essentially reframing Varda's anomalous place in film history, DeRoo's refined analysis and detailed references to film, art, and photography history help reveal Varda's multivalent work, showing the constant purpose and experimentation animating her audiovisual, tactile, and memorial sensibility." --Ivone Margulies, Professor of Film and Media Studies, Hunter College, CUNY <p/> "In this pathbreaking revisionist study, art and cinema historian Rebecca DeRoo uses multiple political and cultural contexts to reframe the existing dialogue about the work and contributions to cinema history made by the New Wave French film director Agnès Varda. Stressing issues that are aesthetic, theoretical, feminist, and political, DeRoo redirects the biographical narratives that have been favored in the literature on Varda, challenges conventional interpretations of Varda's films, and recasts the reception of Varda's work over the space of six decades as an index to the cultural and political assumptions of those years. In an era when the boundaries between cinema and other art forms have become increasingly blurred, DeRoo's approach to Varda's work is a productive and exemplary intersection between cinema studies and art history." --Norma Broude, Professor of Art History Emerita, American University<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"DeRoo's book provides a yet untold counter-reading of Varda's works. Her interpretations are acutely attentive, acknowledging the many sites of emotional, generic, aesthetic, and political complexity that arise as a result of Varda's use of multimedia."-- "Women in French Studies"<br><br>"DeRoo's nuanced approach yields altogether new understandings of key works in Varda's oeuvre. . .the readings in <i>Agnès Varda: Between Film, Photography, and Art</i> reveal both the breadth and depth of Varda's artistic sophistication and political acumen." <br>-- "ASAP/Journal"<br><br>"Rebecca DeRoo's <i>Agnès Varda between Film, Photography, and Art</i>, which takes as its central problem the intermediality and intertextuality of Varda's work in the context of history, society, and feminism, is, then, to be greeted with great interest."-- "Journal for Cinema and Media Studies"<br><br>"DeRoo's work is a welcome and significant contribution to scholarship on a still too-neglected filmmaker and has much to offer those wanting an introduction to Varda and key issues animating critical reception of her films. The book is a well-researched, accessible, and timely addition to expanding scholarship on Varda as a pioneering and dynamic French filmmaker whose multifaceted oeuvre is central to ongoing and urgent debates about feminist film practice, filmmaking as an intermedia art form, and the ethics and aesthetics of documentary practice."-- "H-France"<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Rebecca J. DeRoo</b> is Associate Professor in the Department of Performing Arts and Visual Culture at the Rochester Institute of Technology and the author of <i>The Museum Establishment and Contemporary Art, </i> recipient of the 2007 Laurence Wylie Prize in French Cultural Studies. She cocurated the retrospective <i>Agnès Varda: (Self-)Portraits, Facts and Fiction </i>at the George Eastman Museum (2016).
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