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<p/><br></br><p><b> About the Book </b></p></br></br>An unflinching, open-hearted inquiry that encompasses religion, disaster, resilience, infertility, adoption, parenthood, and what it means to love one's neighbor.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>Winner of the 2018 National Jewish Book Award for Poetry</b></p> <p><b>Finalist for the National Book Critics Circle Award for Poetry</b></p> <p>Erika Meitner's fifth collection of poetry plumbs human resilience and grit in the face of disaster, loss, and uncertainty. These narrative poems take readers into the heart of southern Appalachia--its highways and strip malls and gun culture, its fragility and danger--as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner's poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"In her graceful fifth collection, Meitner (Copia) displays a sense of urgency informed by parenthood in this strange and particularly turbulent American moment." <b>--<i>Publishers Weekly</i></b></p> <p>"Meitner has created a keen social record of, and commentary on, our persistent human atrocities, but she also admirably transcends the dire in a search for salvation."<b>--<i>Booklist</i></b></p> <p>"This is a book that really is dealing with raising kids in difficult environments and also kind of facing down the epidemic of gun violence in this country -- which makes it sound like it might be kind of a depressing book. But what really impressed me about it is how beautiful and tender it is. It's really just a live wire. She's a Jew in Appalachia raising an African-American adopted son. She is and isn't at home. She's kind of meditating on these things but she does so in this very incantatory, almost prayer-like way." <b>--Tess Taylor, NPR Books</b></p> <p>"Erika Meitner is the quintessential 21st century storyteller bearing witness from the vantage point of a social critic with heart, humor, and an incomparable voice. <i>Holy Moly Carry Me</i> is an urgent document of our complex ties with the past, and the dangers of letting histories, private and public, repeat themselves. She reminds us that "We are under the care of each other and sometimes we/ fail mightily to contain the damage." This collection is Meitner at the height of her powers." <b>--Carmen Giménez Smith</b></p> <p>"<i>Holy Moly Carry Me</i> is a triumph! In these formally dexterous poems Meitner vibrates wildly between the song & the document, exploding the shadowy space between history & memory. The opening poem tells us, "There are holes in all of these stories--open-mouthed gaps in the fence, a singing presence." The voices in this books fill those gaps with a brilliant & difficult noise. In this necessary unprecedented book Meitner has assembled the materials of our apocalyptic present & past and invites us in to revel & quake with her." <b>--sam sax</b></p> <p>"In the stunning, exact, and haunting book <i>Holy Moly Carry Me, </i> Meitner's strong signature voice is on full display, but with a complex empathy for the violent, messed-up world. These are powerful poems that wonder, ache, fear, question, delve into history, and somehow never stop praising the human capacity for survival." <b>--Ada Limón</b></p> <p>"Reading one of Meitner's poems feels like having an intimate talk with a close friend over dinner; revealing the details of romantic encounters, and musing about the value of poetry. She's often wryly funny, and always tender."<b>--<i>Huffington Post</i></b><br /><br><p/><br></br><p><b> About the Author </b></p></br></br>Erika Meitner is the author of five books of poems, including <i>Ideal Cities</i> (Harper Perennial, 2010), which was a 2009 National Poetry Series winner, <i>Copia</i> (BOA Editions, 2014), and <i>Holy Moly Carry Me</i> (BOA Editions, 2018). Her poems have appeared in <i>The New York Times Magazine, Tin House, The New Republic, Virginia Quarterly Review, Oxford American, Best American Poetry, Ploughshares, </i> and elsewhere. In 2015, she was the US-UK Fulbright Distinguished Scholar in Creative Writing at the Seamus Heaney Centre for Poetry at Queen's University Belfast, and she has also received fellowships from The MacDowell Colony, the Virginia Center for Creative Arts, the Blue Mountain Center, and the Wisconsin Institute for Creative Writing. She is currently an associate professor of English at Virginia Tech, where she directs the MFA and undergraduate programs in Creative Writing.

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