Among Others: Blackness at Moma - by Darby English & Charlotte Barat (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences, and the broader subject of racial blackness.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, <i>Among Others</i> confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum's role in the history of the cultural politics of race. <p/>The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA's encounters with racial blackness since its founding--from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s to its activities during the Civil Rights Movement to the controversial <i>Primitivism</i> show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum's record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields. <p/><b>Darby English</b> (born 1974) is Adjunct Curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, and the Carl Darling Buck Professor at the University of Chicago, where he teaches modern and contemporary art and cultural studies. He is the author of <i>How to See a Work of Art in Total Darkness</i> (2010), <i>1971: A Year in the Life of Color</i> (2016) and <i>To Describe a Life</i> (2019).</p> <p/><b>Contributing authors include</b>: Esther Adler, Margaret Aldredge-Diamond, Sean Anderson, Carol Armstrong, Julie Ault, Quentin Bajac, Charlotte Barat, Dawoud Bey, Giampaolo Bianconi, Klaus Biesenbach, Gregg Bordowitz, Jessica Bell Brown, Linda Goode Bryant, Julia Bryan-Wilson, Kaira M. Cabañas, Andrianna Campbell, Dessane Lopez Cassell, Sophie Cavoulacos, Mary Weaver Chapin, Christophe Cherix, Lisa Collins, Stuart Comer, Roberto Conduru, Lynne Cooke, John Corbett, Kate Cowcher, Douglas Crimp, Thomas Crow, Emily Cushman, Edwidge Danticat, J. Michael Dash, Samuel R. Delany, Leah Dickerman, Liz Donato, Elvira Dyangani Ose, Adrienne Edwards, Peter Eleey, Anthony Elms, Darby English, Starr Figura, Jacqueline Francis, Samantha Friedman, Diana Fuss, Samba Gadjigo, Ellen Gallagher, Lucy Gallun, Kristen Gaylord, Hanna Girma, Robert Gober, Karen Grimson, Rachel Haidu, Irena Haiduk, Claudrena N. Harold, Phillip Brian Harper, Jenny Harris, Jodi Hauptman, Cannon Hersey, Heidi Hirschl Orley, Harmony Holiday, Laura Hoptman, Amanda Hunt, Matthew Jesse Jackson, Ashley James, Ana Janevski, Martha Joseph, Bouchra Khalili, Byron Kim, Michelle Kuo, Abigail Lapin Dardashti, Thomas J. Lax, Glenn Ligon, Ron Magliozzi, Cara Manes, Roxana Marcoci, Kerry James Marshall, Courtney J. Martin, Nomaduma Rosa Masilela, Mia Matthias, Sarah Hermanson Meister, Kobena Mercer, Carmen Merport Quiñones, Richard Meyer, Jocelyn Miller, Anne Monahan, Anne Morra, Fred Moten, Sasha Nicholas, Tavia Nyong'o, Ugochukwu-Smooth C. Nzewi, Oluremi C. Onabanjo, Erica Papernik-Shimizu, Kirsi Peltomäki, Luis Pérez-Oramas, Paulina Pobocha, Antonia Pocock, Ross Posnock, Richard J. Powell, Martin Puryear, Christian Rattemeyer, Yasmil Raymond, Hillary Reder, Jodi Roberts, Ed Ruscha, Jenny Schlenzka, Abbe Schriber, Christina Sharpe, Kelly Sidley, Lowery Stokes Sims, Robert Slifkin, Jenni Sorkin, Katerina Stathopoulou, Jacqueline Najuma Stewart, Greg Tate, Lanka Tattersall, Phil Taylor, Hervé Télémaque, Ann Temkin, Akili Tommasino, Ana Torok, Luc Tuymans, Anne Umland, Sarah Van Beurden, Niko Vicario, Susan Vogel, Anne M. Wagner, Kara Walker, Kenneth W. Warren, Deborah Willis, Sharon Willis, Leslie Wilson, Mabel O. Wilson, Edith Wolfe, Sebastian Zeidler.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>The Museum of Modern Art is among the first to admit that its uneven relationship with Black artists, and Among Others is a reflection, and an investigation, confronting that truth through essays and some of the best artwork ever produced.-- "Insider"<br><br>A phone book-sized tome that serves as a frank examination of that institution's legacy in displaying, acquiring and otherwise engaging work by Black artists [...] On its own, "Among Others" won't fix MoMA's structural issues. But it's a beginning. Hopefully it inspires similar accounts at other museums.--Carolina Miranda "Los Angeles Times"<br><br>Among Others is a three-part publication that analyzes the museum's tumultuous historical relationship with Black artists and Black audiences, its role in shaping the cultural politics of race, and the shortcomings of its collection, programs, and practice [...] I recommend this publication for scholars interested in the genealogy and variants of primitivism, for academics teaching museum studies courses, and for creative professionals curious about collection research and critical historiographies. Above all, Among Others will be indispensable to culture workers of organizations of all sizes who are taking a hard look at their institutional history and seeking to make structural and sustainable change.--Martha Scott Burton "CAA (College Art Association)"<br><br>Published by the Museum of Modern Art, this 484-page book seeks to reexamine the history of its collection by highlighting the role of black artists, the black community, and art about blackness [...] The book is a part of the museum's overall efforts to present the trajectory of art history with a more global view and the long overdue acknowledgement of African American cultural contributions.--Lucy Rees "Galerie"<br><br>"Among Others: Blackness at MoMA" considers the institution's complex history with black artists, black audiences, and art about blackness.--Victoria L Valentine "Culture Type"<br><br>As museums across the world reevaluate their histories while acknowledging past instances of racism and sexism, Among Others, an anthology about the Museum of Modern Art's maligned ways of dealing with blackness over the decades, serves as a critical tome.--Alex Greenberger "ARTnews"<br><br>This book is exemplary for its combination of new research, interpretive analysis and quantities of information. Given free rein in the Museum of Modern Art's archives, the authors mined the untold story of the museum's fraught relationship with race in general and black artists and their work in particular.--Roberta Smith "New York Times"<br><br>This detailed, well-documented account of MoMA's history of collecting and exhibiting black art reveals historically problematic curatorial attitudes towards black art and artists.--Deirdre Spencer "ARLIS/NA Reviews"<br>
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