Siegfried in Full Score - (Dover Music Scores) by Richard Wagner (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The third opera in Wagner's monumental tetralogy, <i>Der Ring des Nibelungen</i>, is reproduced here, complete and unabridged, from the first edition (1876). Wagner enthusiasts and opera lovers will appreciate this affordable edition.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle <i>Der Ring des Nibelungen</i>, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater -- one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time.<br><i>Der Ring des Nibelungen</i>, which is based on a medieval German epic, the <i>Nibelungenlied</i>, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material.<br>The third opera of the cycle, <i>Siegfried</i>, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's <i>Realpolitik</i>, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In <i>The Perfect Wagnerite</i>, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche.<br>Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of <i>Der Ring des Nibelungen </i>are indisputable. The crowning achievement of German music of the Romantic era, the <i>Ring</i> forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form.<br>Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings <i>Siegfried, </i> an important opera in the <i>Ring</i> and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price.</p><p/><br></br><p><b> About the Author </b></p></br></br>Composer and conductor Richard Wagner (1813-83) is best known for his four-opera classic, <i>The Ring.</i> Unlike most other composers, Wagner wrote both the scenario and libretto for his operas.
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