<p/><br></br><p><b> About the Book </b></p></br></br>What happens when who we love forces us to change our view of who we are? <BR>Against her better judgment, Professor Joanna Valois takes on sexually undefinable Sara Falier as her assistant on a trip to Venice. The object of their research is a sixteenth century heretical book and the truth about the woman condemned to death for printing it. The book, a translation of an ancient codex, not only shattered the lives of nearly everyone who touched it, but 400 years later, could still bring half the world to its knees. <BR>Like nesting dolls, this story within a story within a story raises the question as to whether gender-breaking has not only challenged the boundaries of love and sexual desire, but altered the course of history.<BR><p/><br></br><p><b> Book Synopsis </b></p></br></br>What happens when who we love forces us to change our view of who we are? <p/>Against her better judgment, Professor Joanna Valois takes on sexually undefinable Sara Falier as her assistant on a trip to Venice. The object of their research is a sixteenth century heretical book and the truth about the woman condemned to death for printing it. The book, a translation of an ancient codex, not only shattered the lives of nearly everyone who touched it, but 400 years later, could still bring half the world to its knees. <p/>Like nesting dolls, this story within a story within a story raises the question as to whether gender-breaking has not only challenged the boundaries of love and sexual desire, but altered the course of history.<br><p/><br></br><p><b> About the Author </b></p></br></br>After teaching German Language and Literature at Stanford University, Queens College, New York, and Rochester Institute of Technology, Justine Saracen left academics and began writing fiction.
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