Modern Love - by Constance Dejong (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Constance DeJong's long-neglected 1977 novel, Modern Love, is one thing made up of many: It is science fiction. It is a detective story. It is a historical episode in the time of the Armada and the dislocation of Sephardic Jews from Spain to an eventual location in New York's Lower East Side. It is a first-person narrator's story; Charlotte's story; and Roderigo's; and Fifi Corday's. It is a 150-year-old story about Oregon and the story of a house in Oregon. Modern Love's continuity is made of flow and motion; like an experience, it accumulates as you read, at that moment, through successive moments, right to the end."--<p/><br></br><p><b> Book Synopsis </b></p></br></br>"People used to tell me, if you keep on writing maybe you'll make a name for yourself," New York-based artist and writer Constance DeJong (born 1950) wrote in <i>Modern Love</i>. "They were right: My name's Constance DeJong. My name's Fifi Corday. My name's Lady Mirabelle, Monsieur Le Prince, and Roderigo. Roderigo's my favorite name. First I had my father's name, then my husband's, then another's. I don't know. I don't want to know the cause of anything." <p/><i>Modern Love</i>, DeJong's first book, was published in 1977 by Standard Editions, an imprint co-founded by DeJong and Dorothea Tanning. In 1978, the text was adapted into a 60-minute radio program accompanied by the "Modern Love Waltz," a piano composition by Philip Glass. In this new edition, DeJong's debut novel is brought back into print, her dissonant shifts of voice and inimitable staccato rhythm made available to a new generation of readers.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>a delightfully self-reflexive, genre-defying book too squirmy for definition--Alexandra Wuest "Catapult"<br><br>A striking new facsimile edition.--Dan Piepenbring "The Paris Review"<br><br>In the 1970s, Constance DeJong's <i>Modern Love</i> played a critical role in Downtown's invention of post-modernism. How? By transporting us to other states of being, we got to visit Soho, Elizabethan England, and India. Why is this book considered part of the visual art world? Because everyone was doing everything -- and <i>Modern Love</i> exactly captured its time.--Martha Wilson "Founder of Franklin Furnace"<br><br>The supple, groovy slipstream of her prose; the collapsing of time, voice, and genre; her recasting of the limited roles fictional characters are made to play. Now, in 2017, it seems nothing less than a masterpiece.-- "BOMB Magazine"<br><br>We were relegated to Chick Lit, romance novels, our subjects were love and motherhood and other sexually-defined things. Modern Love mocks that, to some degree. It pushes back.-- "BOMB Magazine"<br><br>Written between 1975-1977 from the heart of New York City's art world, Constance DeJong's <i>Modern Love</i> is a forgotten classic of narrative prose innovation. Working largely alone, DeJong invented a narrative form that's at once intimate and highly constructed. Wilder than the French nouveau roman, <i>Modern Love</i> cannibalizes genre and realist fiction and travels through time to explore the dilemma of being a 27-year-old broke female loser who's told by the culture that she's free to say and do anything I want. A powerful influence on her contemporary Kathy Acker, DeJong's <i>Modern Love</i> feels even more radical now than it did when it first came out.--Chris Kraus "Author of <i>I Love Dick</i>"<br>
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