Three Farmers on Their Way to a Dance - by Richard Powers (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>"Dazzling and audacious. . . Nothing short of astounding." --<em>Philadelphia Inquirer</em></strong></p><p><strong>The critically acclaimed debut novel from the Pulitzer Prize-winning author of <em>The Overstory </em>and the forthcoming <em>Bewilderment</em>.</strong></p><p><strong>"A writer of blistering intellect . . . [Powers is] a novelist of ideas and a novelist of witness, and in both respects, he has few American peers." -- Richard Eder, <em>Los Angeles Times</em></strong><br/></p><p>In the spring of 1914, renowned photographer August Sander took a photograph of three young men on their way to a country dance. This haunting image, capturing the last moments of innocence on the brink of World War I, provides the central focus of Powers's brilliant and compelling novel. </p> <p>As the fate of the three farmers is chronicled, two contemporary stories unfold. The young narrator becomes obsessed with the photo, while Peter Mays, a computer writer in Boston, discovers he has a personal link with it. The three stories connect in a surprising way and offer the reader a glimpse into a mystery that spans a century of brutality and progress.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>A scintillating, high-octane intellectual flight of fancy.--Newsday<br><br>America's most ambitious novelist . . . No one who becomes immersed in [his] poetry will walk out the way he or she came in.--San Francisco Chronicle<br><br>One of the few younger American writers who can stake a claim to the legacy of Pynchon, Gaddis, and DeLillo.--<em>The Nation</em><br><br>Powers hovers impossibly between extremes with a tightrope walker's perfect balance. He may be at once the smartest and the most warm-hearted novelist in America today.--<em> Chicago Tribune</em><br><br>Powers is a genuine artist, a thinker of rare synthetic gifts, maybe the only writer working--Pynchon and DeLillo excepted--who can render the intricate dazzle of it all and at the same time plumb its philosophical implications.--<em> Esquire</em><br>
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