<p/><br></br><p><b> About the Book </b></p></br></br><i>Danger: Diabolik</i> (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years. This study examines its status as a comic-book movie, traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film."<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><em>Danger: Diabolik</em> (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal--part Fantomas, part James Bond--and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, <em>Danger: Diabolik</em>'s reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys.</p><p>This study examines its status as a comic-book movie, including its relation both to the original <em>fumetto </em>and to its sister-film, <em>Barbarella</em>. It traces its production and initial reception in Italy, France, the U.S., and the U.K., and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of <em>Mystery Science Theatre 3000</em>.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>Packed with information, facts, figures, speculation, analysis, and cultural connections.--All Classical Portland<br><p/><br></br><p><b> About the Author </b></p></br></br>Leon Hunt is a senior lecturer in film and TV studies at Brunel University. He is the author of <i>British Low Culture: From Safari Suits to Sexpolitation</i> (1998), <i>Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger</i> (2003), and <i>Cult British TV Comedy: From Reeves and Mortimer to Psychoville </i>(2013).
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