Ten Masterpieces of Music - by Harvey Sachs (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality?<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level.</p><p>Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers--Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky--who had a particular genius for drawing music out of their deepest wellsprings. "Through music," Sachs writes, "they universalized the intimate."</p><p>In describing how music actually sounds, <em>Ten Masterpieces of Music</em> seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider "classic" were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe's Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz.</p><p>As Sachs explains, these pieces are not presented as candidates for a new "Top Ten." They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer's life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences.</p><p>With <em>Ten Masterpieces of Music</em>, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces--these ten among them--survive the perilous test of time.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p>"Harvey Sachs has the rare gift of conveying a great deal of knowledge with a clarity and wit that make it accessible to the student and lover of music while presenting the informed musician with ample food for thought."<br /><strong>--Alfred Brendel, world-renowned pianist</strong></p><p>"Few authors have written more memorably on music than Harvey Sachs. In?Ten Masterpieces of Music, this noted biographer and historian of classical music adeptly presents a history . . . that will appeal to a wide range of music lovers, from beginners to connoisseurs. He provides for each composer a concise but penetrating biography that both links him to the broadest cultural currents of his time and explores his highest personal aspirations and deepest anxieties. . . .?Ten Masterpieces of Music?is personal and universal, and will immensely enrich the reader."<br /><strong>--Simon Williams, professor emeritus in the Department of Theater and Dance at the University of California, Santa Barbara</strong></p><p>"A beautiful book--personal, passionate, an expression of gratitude for a lifetime of listening to and thinking about music.?It will pull in a newcomer to these great works (not all of them familiar) and heighten the understanding of musicians who have known them for many years."<br /><strong>--Tim Page, Pulitzer Prize winner and Distinguished Visiting Professor at the Peabody Conservatory of Johns Hopkins University</strong></p><p>"A fascinating, fluidly and entertainingly written rumination on great works in the canon, but not those that usually end up on top-ten lists. Harvey Sachs speaks lovingly about the music that has most affected him, offering a subtle defense of the reductively defined 'classical' tradition through user-friendly analyses of eclectic outliers, misunderstood scores, and those that were created under frightful conditions."<br /><strong>--Simon Morrison, professor of music at Princeton University</strong></p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>Here Sachs . . . skillfully brings readers right into the social and political milieu in which the composers thrived. By pairing historical context with the composers' personal lives and characteristics, Sachs vividly frames 10 masterpieces.--George Kendall "Booklist"<br><br>An astute guide compiles a stunning repertoire of works... Esteemed music critic Sachs gets personal with this effervescent homage to some favorite works of "life-giving and affirmative" classical music. He chose these pieces, all in different genres, because he felt he had "something useful to say about them," and he deftly shows how biography informed the music, each piece neatly fitting into its time and place... This judicious compilation of biographies and analysis is a thoroughly engaging read.-- "Kirkus Reviews"<br><br>Sachs ... takes readers on a breezy, informative tour of classical music . . . [in] a variety of genres . . . [E]ach selection ... provides abundant cultural and historical background and significant biographical detail [of the composer's life and the larger pantheon of musical greats]. Sachs' lively prose will draw readers in . . . Heartily recommended to every serious lover of classical music.--Edward B. Cone "Library Journal"<br>
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