Expressionism and Film - by Rudolf Kurtz (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><i>Expressionism and Film</i>, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion--as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's <i>From Caligari to Hitler</i> and Lotte Eisner's <i>The Haunted Screen</i>, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>For English readers interested in silent German cinema, there are many discoveries to be made here.</p>-- "UCLA Film & Television Archive"<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Rudolf Kurtz (1884-1960) was a leading participant in the German Expressionist movement, contributing a multitude of essays, lampoons, reviews, and commentaries. From 1914 until his death he worked in the film industry, writing scripts and directing his own movies.</p><p>Christian Kiening is Professor of Germanic Studies at the University of Zurich, Director of the National Competence Centre for Research Mediality, and co-editor of <i>Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte.</i></p><p>Ulrich Johannes Beil is Privatdozent at the University of Munich and Senior Researcher at the National Competence Centre for Research Mediality at the University of Zurich.</p><p>Brenda Benthien is an independent film scholar and critic. Her work has appeared in <i>Variety</i>, <i>Filmecho/Filmwoche</i>, the Berlin Film Festival <i>Journal</i>, and other publications.</p>
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