<p/><br></br><p><b> About the Book </b></p></br></br>"Concept and Form is a two-volume work dealing with the 1960s French philosophy journal the Cahiers pour l'Analyse ... These two printed books are complemented by an open-access electronic edition of the Cahiers, produced by the Centre for Research in Modern European Philosophy (CRMEP) and hosted by Kingston University London, at cahiers.kingston.ac.uk. The Concept and Form website provides the original French texts in both html and facsimile pdf versions, substantial synopses of each article, discussions of the most significant concepts at issue in the journal, and brief entries on the main people involved with it, as well as full-length French versions of the interviews abbreviated and translated in Volume Two. The materials in these two printed volumes are also included on the website"--Pref.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Concept and Form </i>is a two-volume monument to the work of the philosophy journal the <i>Cahiers pour l'Analyse </i>(1966-69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the <i>Cahiers </i>sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. <p/>This first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation: Alain Badiou, Yves Duroux, Alain Grosrichard, Serge Leclaire, Jacques-Alain Miller, Jean-Claude Milner, and François Regnault.The book is complemented by a second volume, consisting of essays and interviews that assess the significance and legacy of the journal, and by an online edition of the full set of original <i>Cahiers </i>texts, produced by the Centre for Research in Modern European Philosophy at Kingston University, London and accessible at cahiers.kingston.ac.uk.<p/><br></br><p><b> About the Author </b></p></br></br><b>Peter Hallward</b> teaches at the Centre for Research in Modern European Philosophy at Kingston University, London. He is the author of several books including <i>Absolutely Postcolonial</i>, <i>Badiou: A Subject to Truth, </i> <i>Out of This World: Deleuze and the Philosophy of Creation</i>, and <i>Damming the Flood.</i> <p/><b>Knox Peden</b> is a Postdoctoral Research Fellow in the Centre for the History of European Discourses at the University of Queensland <p/><b>Alain Badiou</b> teaches philosophy at the École normale supérieure and the Collège international de philosophie in Paris. In addition to several novels, plays and political essays, he has published a number of major philosophical works, including <i>Theory of the Subject</i>, <i>Being and Event</i>, <i>Manifesto for Philosophy</i>, and <i>Gilles Deleuze</i>. His recent books include <i>The Meaning of Sarkozy</i>, <i>Ethics</i>, <i>Metapolitics</i>, <i>Polemics, </i> <i>The Communist Hypothesis</i>, <i>Five Lessons on Wagner</i>, and <i>Wittgenstein's Anti-Philosophy</i>. <p/><b>Jacques-Alain Miller</b> is Director of the Department of Psychoanalysis at the University of Paris VIII and editor of Lacan's <i>Seminars</i>.
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