Visual Art and Self-Construction - (Crosscurrents) by Katrina Mitcheson (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br><p>Drawing on the work of a range of visual artists including Francisco de Goya y Lucientes, Francis Bacon and Louise Bourgeois, Katrina Mitcheson explores how visual art can help us to know ourselves, when the self is complex, decentred and partially unconscious. </p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Starting from Nietzsche, Freud and Foucault's criticisms of a simple, given self, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br>Demonstrates how visual art can work as a powerful technology of the self Starting from criticisms of a simple, given self, found in Nietzsche, Freud, and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that narrative as a model of self-construction overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. Drawing on the work of a range of visual artists including Francisco de Goya y Lucientes, Francis Bacon and Louise Bourgeois, this study develops an alternative account of a plural and corporeal hermeneutics of the self. Diverse examples are explored of how visual art can operate not only as a critical technology of the self, exposing practices which contribute to our subjugation, but can also discover, explore, and affect bodily processes, thereby enabling experimentation in self-construction.<p/><br></br><p><b> About the Author </b></p></br></br><p>Katrina Mitcheson is Senior Lecturer in Philosophy at the University of the West of England. She is the author of <i>Nietzsche, Truth and Transformation</i> (Palgrave, 2013).<p>
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