<p/><br></br><p><b> Book Synopsis </b></p></br></br><b><i>Rude Talk in Athens</i> is brave, brilliant, and incredibly funny. There are loads of very specific characters, including Mark himself. It's the Mark Haskell Smith version of hanging out with Stanley Tucci and Anthony Bourdain, but in present day and ancient Greece. I agree with everything he says about comedy and have never read anything like it. ―Barry Sonnenfeld, Film Director and author of <i>Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker</i></b> <p/> In ancient Athens, thousands would attend theatre festivals that turned writing into a fierce battle for fame, money, and laughably large trophies. While the tragedies earned artistic respect, it was the comedies--the raunchy jokes, vulgar innuendo, outrageous invention, and barbed political commentary--that captured the imagination of the city. <br> The writers of these comedic plays feuded openly, insulting one another from the stage, each production more inventive and outlandish than the last, as they tried to win first prize. Of these writers, only the work of Aristophanes has survived and it's only through his plays that we know about his peers: Cratinus, the great lush; Eupolis, the copycat; and Ariphrades, the sexual deviant. It might have been the golden age of Democracy, but for comic playwrights, it was the age of Rude Talk. <br> Watching a production of an Aristophanes play in 2019 CE and seeing the audience laugh uproariously at every joke, Mark Haskell Smith began to wonder: what does it tell us about society and humanity that these ancient punchlines still land? When insults and jokes made thousands of years ago continue to be both offensive and still make us laugh? <br> Through conversations with historians, politicians, and other writers, the always witty and effusive Smith embarks on a personal mission (bordering on obsession) exploring the life of one of these unknown writers, and how comedy challenged the patriarchy, the military, and the powers that be, both then and now. A comic writer himself and author of many books and screenplays, Smith also looks back at his own career, his love for the uniquely dynamic city of Athens, and what it means for a writer to leave a legacy.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Rude Talk in Athens</i> is as political and punk, as chaotic and exuberant, as the city itself. Riotous and fun, Mark Haskell Smith's book really made me feel like being in Athens! ―Dr. Emma Southon, author of <i>A Fatal Thing Happened on the Way to the Forum: Murder in Ancient Rome</i><br><br>Entertaining and informed, <i>Rude Talk in Athens</i> is a dispatch from Greece with much to discuss. ―<i>Foreword Reviews</i><br><br>Smith takes an immersive and irreverent dip into ancient Greece to uncover the origins of transgressive humor. Mixing history, literary criticism, and dirty jokes, Smith pays tribute to a slew of forgotten Greek writers... This erudite but refreshingly nonacademic work will feed the intellect as well as tickle the funny bone. ―<i>Publishers Weekly</i><br><br>The most sophisticated book you'll read about writers insulting people they hate... If there were mean girls living in Ancient Greece, I have no doubt Mark would have written a brilliant analysis of the shade they threw at each other and their historical impact. ―Al Madrigal, Comedian, Actor, former Daily Show Correspondent, and co-founder of the All Things Comedy podcast network<br><p/><br></br><p><b> About the Author </b></p></br></br>MARK HASKELL SMITH is the author of six novels with one-word titles including <i>Moist</i>, <i>Salty</i>, and <i>Blown</i>; as well as the non-fiction books <i>Heart of Dankness: Underground Botanists, Outlaw Farmers, and the Race for the Cannabis Cup</i> and <i>Naked at Lunch: A Reluctant Nudist's Adventures in the Clothing-Optional World</i>. His work has appeared in the Los Angeles Times, the Los Angeles Review of Books, Salon, Vulture, Alta, and Literary Hub. He is an associate professor in the MFA program for Writing and Writing for the Performing Arts at the University of California Riverside, Palm Desert Graduate Center.
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