Hiroshige. One Hundred Famous Views of EDO - (Bibliotheca Universalis) by Melanie Trede & Lorenz Bichler (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world," ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to characterize the Western world's visual idea of Japan. In many ways images of hedonism, ukiyo-e scenes often represented the bright lights and attractions of Edo (modern-day Tokyo): beautiful women, actors and wrestlers, city life, and spectacular landscapes.</p><p>Though he captured a variety of subjects, Hiroshige was most famous for landscapes, with a final masterpiece series known as "One Hundred Famous Views of Edo" (1856-1858), which depicted various scenes of the city through the seasons, from bustling shopping streets to splendid cherry orchards.</p><p>This reprint is made from one of the finest complete original sets of woodblock prints belonging to the Ota Memorial Museum of Art in Tokyo. It pairs each of the 120 illustrations with a description, allowing readers to immerse themselves in these beautiful, vibrant vistas that became paradigms of Japonisme and inspired Impressionist, Post-Impressionist and Art Nouveau artists alike, from Vincent van Gogh to James McNeill Whistler.</p><p></p><p>About the series</p><p>Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe!</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Some of the greatest prints in the history of art."-- "The Wall Street Journal"<br><br>"This publication transcends the coffee table cliché by combining beauty with information."-- "ARTnews"<br>
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