<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers--featuring cover art by Jessica Hische </b> <p/>It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film <i>Moonrise Kingdom</i> to Penguin's own bestsellers <i>Committed </i>and <i>Rules of Civility</i>. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series launches with six perennial favorites to give as elegant gifts, or to showcase on your own shelves. <p/><b>G is for Golding.</b> At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, <i>Lord of the Flies </i>is perhaps our most memorable tale about "the end of innocence, the darkness of man's heart."<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books <p/>Winner of the 2014 Type Directors Club Communication Design Award <p/><b>Praise for Penguin Drop Caps: </b> <p/>[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering.<br>--<i>Fast Company</i> <p/>"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."<br>--Maria Popova, <i>Brain Pickings</i> <p/>The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of <i>Great Expectations</i>? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (<i>Pride and Prejudice</i>) is formed by opulent peacock feathers and Charlotte Bronte's B (<i>Jane Eyre</i>) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf.<br>--Rex Bonomelli, <i>The New York Times</i> <p/>Drool-inducing.<br>--<i>Flavorwire</i> <p/>Classic reads in stunning covers--your book club will be dying.<br>--<i>Redbook</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>William Golding</b> started writing at the age of seven. Though he studied natural sciences at Oxford to please his parents, he also studied English and published his first book, a collection of poems, before finishing college. He served in the Royal Navy during World War II, participating in the Normandy invasion. Golding's other novels include <i>Lord of the Flies</i>, <i>The Inheritors</i>, <i>The Free Fall</i>, <i>Pincher Martin</i>, <i>The Double Tongue</i>, and <i>Rites of Passage</i>, which won the Man Booker Prize. <p/><b>Jessica Hische</b> is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a <i>Forbes Magazine</i> 30 under 30 in art and design as well as an ADC Young Gun and one of <i>Print Magazine</i>'s New Visual Artists. She has designed for Wes Anderson, <i>McSweeney's</i>, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.
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