<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Filmmaker. Author. Performer. Shopkeeper. Miranda July--the most impressive cross-disciplinary artist of her generation--is brought into focus in this career-spanning retrospective.</b> <p/>Regardless of the medium, July's daring, urgent, and idiosyncratic voice finds unexpectedly accessible forms that reflect the poignancy and strangeness of the human plight. In film, fiction, performance, public art, commerce, and even a smartphone app, July deftly explores themes of inclusivity, desire, fear, and fantasy. This chronological survey spans the artist's entire career to date, including her early plays and fanzines, participatory works, and personal projects which illuminate the multidimensionality and timeliness of her work. <p/><i>Miranda July</i> is brought to life in an introductory interview with Julia Bryan-Wilson and candid recollections by friends, collaborators, curators, assistants, and audience members: Carrie Brownstein, David Byrne, Spike Jonze, Sheila Heti, Hans Ulrich Obrist, and July herself. This revealing, insightful commentary provides an intimate perspective on the artist's ever-evolving process. July may be impossible to categorize, but the enduring importance of her work and her status as an essential cultural icon is irrefutable.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Titled simply <i>Miranda July</i>, Prestel's excellent new "mid-career retrospective" of the artist highlights July's enduring interest in the very darkest aspects of human existence. --<i>Hyperallergic</i> <p/>If you're familiar with the award-winning author and filmmaker, this chronological survey of her idiosyncratic career will offer fascinating new insights into her cross-disciplinary work. And if you're not, well, get ready for a visually striking, celeb-filled (Carrie Brownstein! David Byrne! Spike Jonze!) introduction to one of the most interesting artists of our time. --<i>Entertainment Weekly</i> <br>It's a fascinating, chronological hop-scotch across formative pieces and works, delving into her archive to shed light on her constantly evolving process and heartfelt themes of intimacy and connectivity, whatever the medium. The section on <i>Love Diamond</i> is a personal fave, and the story of her square-toed nurses shoes. --<i>Dazed</i> <p/>...the trick of <i>Miranda July</i> is how successfully it translates the technique to the page, tracking the ping-bang-whiz of her kinetic thoughts. --<i>Alta</i><br><p/><br></br><p><b> About the Author </b></p></br></br>MIRANDA JULY is a filmmaker, artist, and writer. She wrote <i>No One Belongs Here More Than You</i>, a book of short stories that won the Frank O'Connor International Short Story Award, and <i>The First Bad Man</i>, a novel. She wrote and directed the movies <i>Me and You and Everyone We Know</i>, <i>The Future</i>, and the forthcoming <i>Kajillionaire</i>. Her films have won numerous prizes, including the Caméra d'Or at the Cannes Festival and the Special Jury Prize at the Sundance Film Festival. Raised in Berkeley, California, July lives in Los Angeles.
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