<p/><br></br><p><b> About the Book </b></p></br></br>"The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, di"<p/><br></br><p><b> Book Synopsis </b></p></br></br>The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the Group remains a permanent influence on American drama despite its brief ten-year life.<br>It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway show-biz tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. <p/>Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.<p/><br></br><p><b> From the Back Cover </b></p></br></br>The Group Theatre was perhaps the most significant experiment in the history of American theatre. Harold Clurman, founder of the Group Theatre and dynamic force as producer-director-critic for fifty years, here recreates history.<p/><br></br><p><b> About the Author </b></p></br></br><b>Harold Clurman</b> was the author of <i>Lies Like Truth, The Naked Image, On Directing, The Divine Pastime, </i>and <i>All People Are Famous, </i>and was the editor of numerous theater anthologies.
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