<p/><br></br><p><b> About the Book </b></p></br></br>Designed to foster critical engagement and interest in the specialist and non-specialist alike, each book in this series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. This book, the second in the series, focuses on Vermeer's Mistress and Maid.<p/><br></br><p><b> Book Synopsis </b></p></br></br><br><p>The subject of writing and receiving letters, which recurs frequently in the work of Johannes Vermeer (1632-1675), is given dramatic tension in this masterful painting of two women in a mysterious moment of crisis. The artist seldom, if ever, surpassed the subtly varied effects of light seen here as it gleams from the pearl jewellery, sparkles from the glass and silver objects on the table, and falls softly over the figures in their shadowy setting.</p><p>Each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer.</p><p/><br></br><p><b> About the Author </b></p></br></br>Margaret Iacono is associate research curator at The Frick Collection. Her areas of interest include northern European painting of the fifteenth to seventeenth centuries and the history of collecting. Most recently she organized <i>Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis</i> (2014), and also served as the Frick coordinator for <i>The Frick Collection: Art Treasures in New York</i>, held at the Mauritshuis, The Hague (2015).
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