<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>Luc Sante's <i>Low Life </i>is a portrait of America's greatest city, the riotous and anarchic breeding ground of modernity. </b> <p/>This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape. <p/><i>Low Life </i>voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling and prostitution; Part Three investigates the forces of law and order which did and didn't work to contain the illegalities; Part Four counterposes the city's tides of revolt and idealism against the city as it actually was. <p/><i>Low Life</i> provides an arresting and entertaining view of what New York was actually like in its salad days. But it's more than simpy a book about New York. It's one of the most provocative books about urban life ever written--an evocation of the mythology of the quintessential modern metropolis, which has much to say not only about New York's past but about the present and future of all cities.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A cacophonous poem of democracy and greed, like the streets of New York themselves." --<i>John Vernon, Los Angeles Times Book Review</i><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Luc Sante </b>was born in Verviers, Belgium, and now lives in New York City. He is the author of <i>Evidence</i>, <i>The Factory of Facts</i>, and <i>Walker Evans</i>, and his work has appeared in <i>The New York Review of Books</i>, <i>The New Republic</i>, and <i>Harper's</i>, among other publications. He teaches writing and the history of photography at Bard College.
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