Rethinking the Femme Fatale in Film Noir - by J Grossman (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>2010 Outstanding Academic Title, CHOICE</p> <p>'This is a compelling, informed, well-researched, and deeply original book.'</p> <p>- G. A. Foster, University of Nebraska-Lincoln, Choice</p> <p>'Rethinking the Femme Fatale poses important questions for feminist work on noir, underlining how the style also remains a contested and rewarding critical terrain.'</p> <p>- Yvonne Tasker, Journal of Gender Studies</p><br><p/><br></br><p><b> About the Author </b></p></br></br>JULIE GROSSMAN is Interim Dean of Arts and Sciences and Professor of English, Communication and Film Studies at Le Moyne College, New York, USA. She is co-editor of <em>A Due Voci: The Photography of Rita Hammond</em> and has published articles on film noir, Francis Ford Coppola, Todd Haynes, Oscar Wilde and Karen Finley, and Thomas Hardy and Henry James.
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