Is It Ours? - by Martha Buskirk (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Is It Ours? explores multiple points of intersection between artistic authorship and intellectual property. In addition to insights about the direct impact of copyright on art-making practices, it considers many closely related conventions that exceed legal codification. Issues related to art are part of a broader inquiry into ownership claims that permeate contemporary physical and virtual worlds, with emphasis on the importance of sustaining a vital cultural commons"--<p/><br></br><p><b> Book Synopsis </b></p></br></br>If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary--not only to benefit creators and inventors but also to support activities that contribute to the culture at large--yet overly broad ownership rights stifle innovation. <p/><i>Is It Ours?</i> takes a fresh look at issues of artistic expression and creative protection as they relate to contemporary law. Exploring intellectual property, particularly copyrights, Martha Buskirk draws connections between current challenges and early debates about how something intangible could be defined as property. She examines bonds between artist and artwork, including the ways that artists or their heirs retain control over time. The text engages with fundamental questions about the interplay between authorship and ownership and the degree to which all expressions and inventions develop in response to innovations by others. Most importantly, this book argues for the necessity of sustaining a vital cultural commons.<p/><br></br><p><b> From the Back Cover </b></p></br></br>"Martha Buskirk has taken a very basic question--is it ours?--and woven it into a thoroughly commanding narrative that deftly brings together intellectual property, art history, and critical theory in new and surprising ways. A model of clarity and rigor, this is a book for anyone seriously interested in how and why the relationship between art and law matters in a world increasingly ruled by claims of possession. An outstanding example of how art history can be brought to bear on practical issues of our time."--Joan Kee, author of <i>Models of Integrity: Art and Law in Post-Sixties America</i> <p/> "A masterful, wonderfully engaging account of the role of law in the creation of art and, conversely, the role of art in the creation of law--and the valuable role of the public interest in facilitating each domain."--Sonia Katyal, Distinguished Haas Chair and Co-Director, Berkeley Center for Law and Technology, University of California, Berkeley, School of Law <p/> "This is another fascinating and important book from Martha Buskirk. <i>Is It Ours?</i> adds a bold, illuminating, and much-needed contribution to the growing conversation about art and copyright law."--Amy Adler, Emily Kempin Professor of Law, NYU School of Law<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"The meticulously researched material makes this text a good reference for librarians, faculty, and graduate students desiring context for the constantly evolving copyright landscape and its impact on our culture."</p>-- "College & Research Libraries"<br><br>"Buskirk's critical, nuanced take on copyright includes varied, important topics, such as a deep dive on the shortcomings of our fair-use exceptions to copyright; discussions on who benefits from copyright restrictions (author or publisher); how to consider moral or personhood rights of the author; and the challenges that fake or forged artwork poses to the art world. . . . <i>Is It Ours?</i> exposes the challenges of applying a uniform system to a diverse set of art through examples of cases that involve text, painting, sculpture, music, film, photography, digital images, etc."-- "ARLIS/NA Reviews"<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Martha Buskirk</b> is Professor of Art History and Criticism at Montserrat College of Art. Her publications include <i>Creative Enterprise: Contemporary Art between Museum and Marketplace</i> and <i>The Contingent Object of Contemporary Art</i>, as well as numerous articles and catalogue essays. Her recent research was supported by Guggenheim and Clark Art Institute Fellowships.
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