White Flights - by Jess Row (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>A bold, incisive look at race and reparative writing in American fiction, by the author of <i>Your Face in Mine, <i> this work is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>A bold, incisive look at race and reparative writing in American fiction, by the author of <i>Your Face in Mine</i></b><i> <p/>White Flights</i> is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties "white flight"--the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns--to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson's <i>Housekeeping</i> to the claustrophobic households in Jonathan Franzen's <i>The Corrections</i>. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race. <p/><i>White Flights </i>aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction "to approach each other again"? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, <i>White Flights </i>is an essential work of cultural and literary criticism.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"For Row, there's an analogue [to white flight] in contemporary fiction: white authors fleeing the problem of race. . . . Row demonstrates this through astute close readings in which he analyzes postwar fiction with a loving sternness that avoids didacticism even as he pingpongs among cultural artifacts, decoding everything from Don DeLillo's <i>Underworld</i> to emo music. . . . We should accompany Row through this important inquiry."<b>--<i>The New York Times Book Review</i></b> <p/>"[Jess Row] open[s] a dialogue about how white literature often ignores nonwhite experiences and narratives, and how to create a space for inclusivity that starts with the writing arena. . . . He's brilliant and insightful."<b>--<i>The Washington Post </i></b> <p/>"Row's humbleness makes [<i>White Flights</i>] possible, as he writes about a place of reconciliation we have yet to reach. . . . Row's work is a step toward undermining this binary classification, and an opportunity to decode all that has come before."<b>--<i>Star Tribune </i></b>(Minneapolis) <p/>"[Jess Row] tackles head-on the conundrums most of us like to deflect -- such as whether people have a 'right' to represent other races in fiction -- and he does so thoughtfully and gracefully, but without equivocation or evasion."<b>--<i>Vulture </i></b> <p/>"Row's writing is consistently compelling, a necessary read for anyone who wants their art to be challenging, not merely comforting."<b>--<i>NYLON </i></b> <p/>"<i>White Flights</i> is a faultlessly argued collection of essays about how whiteness dominates the American literary imagination. . . . Failing to desegregate and decolonize the white imagination has caused immeasurable political and sociological harm. Row has demonstrated, quite brilliantly, how it causes harm in literature as well."<b>--Katherine Coldiron, <i>Los Angeles Review of Books </i></b> <p/>"Row has produced a thoughtful and timely meditation that serves as a call to white writers."<b>--<i>PopMatters<br></i></b><br>"With this groundbreaking book, [Jess Row] explores how literature can, but also could, shape the way we interact with people from different backgrounds."<b>--<i>Inside Hook</i></b> <p/>"This intelligent collection is often deeply engaged in realms of philosophy and literary theory. . . . There is something for every reader . . . in the message that fiction not only reflects but acts upon real life, and that each of us is obliged to act for justice, in reading and writing as in life."<b>--<i>Shelf Awareness </i></b> <p/>"Wide-ranging, erudite, and impassioned. . . . Row melds memoir, literary and cultural criticism, and philosophical reflection in seven essays that examine how whiteness is imagined and represented in 'novels, short stories, films [and] plays.'. . . [<i>White Flights</i>] is a significant contribution to the cultural landscape. A disquieting, deeply thoughtful cultural critique."<b>--<i>Kirkus Reviews</i>, starred review</b> <p/>"Full of brilliant readings and beautifully written, this mind-altering work of criticism establishes Row as one of the preeminent cultural critics of our age."<b>--<i>Booklist</i>, starred review<br></b><br>"Moving outside of white literature's often isolated and emotionally numb terrain, [Row] discusses how reparative writing can effect reconciliation. [<i>White Flights</i> is] for readers fascinated by race and reparative writing, now and in American history, and the transformative potential of literature to change minds and emphasize our common humanity."<b>--<i>Library Journal</i>, starred review</b> <p/>"Gutsy, capable, urgent, innovative, and timely: these elegant essays think and write across lines of race in American culture."<b>--Judges' citation, Whiting Creative Nonfiction Grant</b> <p/>"These are brilliant, sweeping, intimate delights--and afterward, you may never read the same way again."<b>--Alexander Chee</b> <p/>"With these superb essays, Jess Row reveals himself to be an insightful critic of both literature and the American condition."<b>--Viet Thanh Nguyen</b> <p/>"A major literary and intellectual intervention, clarifying the real stakes in what we too complacently call 'identity politics.'"<b>--Pankaj Mishra</b> <p/>"We need this book, now and yesterday."<b>--Kiese Laymon <p/></b>"Jess Row performs a much-needed analysis. . . . The landscape of the imagination, like the country itself, he argues with rich insight and brio, is neither equal nor free."<b>--John Keene <p/></b>"<i>White Flights</i> will change my work, and my life, and for that I'm grateful."<b>--Jonathan Lethem <p/></b>"With care and complexity, White Flights furthers a crucial national conversation on whiteness, white spaces, and racism, and how these concepts define American literature. More than just provoking thought, this book will provoke dialogue and discussion--exactly what we all need."<b>--Beth Bich Minh Nguyen</b></p><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Jess Row</b> is the author of the novel <i>Your Face in Mine </i>and the story collections <i>The Train to Lo Wu </i>and <i>Nobody Ever Gets Lost</i>. One of <i>Granta</i>'s Best of Young American Novelists of 2007, he lives in New York and teaches at the College of New Jersey.
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