<p/><br></br><p><b> About the Book </b></p></br></br>A beautifully illustrated, concise critical analysis of the art, careers, and reception of the husband-wife team of artists known as Les Lalanne <p/> <br><p/><br></br><p><b> Book Synopsis </b></p></br></br><b>A beautifully illustrated, concise critical analysis of the art, careers, and reception of the husband-wife team of artists known as Les Lalanne</b> <p/> François-Xavier (1927-2008) and Claude (1925-2019) Lalanne were a husband-wife team of artists who created inventive and often surprising works that have been widely admired and collected since the 1960s. This book presents a carefully selected group of sculptures that focus on a shared preoccupation of the artists: the transformation of natural forms to serve new purposes, such as François-Xavier's giant grasshopper sculpture that opens into a bar and Claude's bench made of galvanized metal branches and vines such that it remains as much a forest as a place to sit. Critical analysis explores the full breadth of the artists' careers; considers the complex issues of reception and categorization of their work; and prompts a reevaluation of the place their art occupies in the context of art museums, all while encouraging readers to consider relationships among nature, art, and their own encounters with both.<p/><br></br><p><b> About the Author </b></p></br></br><b>Kathleen M. Morris </b>is the Sylvia and Leonard Marx Director of Collections and Exhibitions and the curator of decorative arts at the Clark Art Institute, Williamstown, MA.
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