The Literary Qur'an - by Hoda El Shakry (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary criticism. Showing how the Qurʾan invites critical reading, this account of Arabophone and Francophone Maghrebi literature develops a Qurʾanic model of narratology.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>Winner, 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association</b> <p/>The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry's Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. <p/><i>The Literary Qurʾan </i>mobilizes the Qurʾan's formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of <i>adab</i>--a concept demarcating the genre of <i>belles lettres</i>, as well as social and moral comportment--El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. <p/>Foregrounding form and praxis alike, <i> The Literary Qurʾan</i> stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. The book places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Theorizing the Qurʾan as a literary object, process, and model, this interdisciplinary study blends literary and theological methodologies, conceptual vocabularies, and reading practices.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p><b> Winner, 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association <p/></b>"<i>The Literary Qur'an</i> provides an exceptionally rich framework for considering how religion informs the reading of North African literature. With agility and grace, the book presents clear arguments, imaginative readings, and pathways for teaching, thinking, and reflecting on these literary novels."--Michael Allan, University of Oregon <p/>The novel, the literary adage has it, reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry's Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. <p/><i>The Literary Qurʾan </i>mobilizes the Qurʾan's formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of <i>adab</i>--a concept demarcating the genre of <i>belles lettres</i>, as well as social and moral comportment--El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. <p/>Placing twentieth-century novels by canonical Francophone writers into conversation with lesser-known Arabophone ones, <i> The Literary Qurʾan</i> stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. <p/><b>Hoda El Shakry </b>is Assistant Professor of Comparative Literature at the University of Chicago.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>The Literary Qur'an</i> provides an exceptionally rich framework for considering how religion informs the reading of North African literature. With agility and grace, the book presents clear arguments, imaginative readings, and pathways for teaching, thinking, and reflecting on these literary novels.-- "Michael Allan, University of Oregon"<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Hoda El Shakry </b>is Assistant Professor of Comparative Literature at the University of Chicago.
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