<p/><br></br><p><b> About the Book </b></p></br></br>The culturally rich story of how Aretha Franklin created what Rolling Stone called the greatest soul album ever made<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b><i>I Never Loved a Man the Way I Loved You: Aretha Franklin, Respect, and the Making of a Soul Music Masterpiece</i> presents the remarkable story of how The Queen of Soul created what <i>Rolling Stone</i> called "the greatest soul album ever made."</b> <p/>The album she recorded that earned soul legend Aretha Franklin her first major hits after eleven previous efforts, <i>I Never Loved A Man the Way I Loved You</i> was a pop and soul music milestone. Apart from its status as a #1 hit record, the album also had a much wider cultural impact. By early 1967, when the album was released, the Civil Rights Movement was well underway; Aretha's music gave it its theme song. And the #1 <i>Billboard</i> pop chart single "Respect"--written by Otis Redding--not only won two Grammys for best R&B recording and best R&B solo female vocal performance, it became a passionate call to arms for the burgeoning feminist movement. <p/>Matt Dobkin has unearthed a wonderful story of the creation of an album that goes far beyond anything that's been written about Aretha before. With scores of interviews--including ones with Atlantic Records' famed producer Jerry Wexler, and the Muscle Shoals session musicians who recorded with Aretha--<i>I Never Loved A Man the Way I Love You</i> is the story of a great artistic achievement. It's also the story of a star who is both more complex and determined than her modern image as a diva indicates.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br><p>I Never Loved a Man the Way I Love You, Aretha Franklin's first album for Atlantic Records and famed producer Jerry Wexler, was a pop and soul music milestone that jump-started Franklin's languishing career. Almost overnight, Aretha became a top-selling recording artist and a cultural icon. Matt Dobkin has unearthed fascinating details about the recording session in Muscle Shoals, Alabama: about the volatile behavior of Aretha's manager/husband, Ted White; about Aretha's reaction to the lack of black musicians in the session; and about how tempers and alcohol almost derailed the session with only a track and half in the can. <p/>This book goes far beyond anything that's been written about The Queen of Soul or her music before. I NEVER LOVED A MAN THE WAY I LOVE YOU is the story of a great achievement and includes scores of fresh interviews, including Wexler, the session men from Muscle Shoals and Aretha's own musicians. It gives insight into a star more complex and determined than her modern diva image would seem to indicate. Aretha, a teenage mother and daughter of a commanding preacher father, rose above her circumstances and transformed them into art. She gave the Civil Rights movement, already well underway in 1967 when the album came out, a passionate call to arms. And with Respect she provided the burgeoning feminist movement with an enduring theme song.<br>The first serious, non-biographical look at Aretha Franklin's work, I NEVER LOVED A MAN THE WAY I LOVE YOU will deepen even ardent fans' understanding of one of the great soul artists of our time, a direct descendant of Bessie Smith and Billie Holliday. <p/>Effusive writing...about her sublime musicianship and the impact of her songs on feminism and the Civil Rights movement...opens an enlightening window on the creative process.<br>--<i>Publishers Weekly</i></p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"An enlightening window on the creative process." --<i>Publishers Weekly</i> <p/>"The book effectively explains why her [Aretha's] release on the great 60's R&B label was a definitive move for the singer." --<i>American Songwriter Magazine</i> <p/>"A standout in the current crowd of classic-album histories." --<i>Booklist</i> <p/>"...a fascinating reconstruction...an illuminating narrative that includes short biographies of all the albums major participants." --<i>Muze</i></p><br><p/><br></br><p><b> About the Author </b></p></br></br><p>Matt Dobkin is the author of <i>Getting Opera</i>. He is the former classical music editor at Time Out New York, and his work has appeared in New York magazine, Bazaar, Out, and a variety of other publications. He lives in New York City.</p>
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