Irish Cosmopolitanism - by Nels Pearson (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>Nels Pearson uses the readings of James Joyce, Elizabeth Bowen, and Samuel Beckett to argue that both national and global concerns motivate Irish modernism simultaneously.<p/><br></br><p><b> Book Synopsis </b></p></br></br>"Clearly written, convincingly argued, and transformative."--Nicholas Allen, author of <i>Modernism, Ireland and Civil War</i> <p/> "Goes beyond 'statism' and postnationalism toward a cosmopolitics of Irish transnationalism in which national belonging and national identity are permanently in transition."--Gregory Castle, author of <i>The Literary Theory Handbook</i> <p/> "Shows how three important Irish writers crafted forms of cosmopolitan thinking that spring from, and illuminate, the painful realities of colonialism and anti-colonial struggle."--Marjorie Howes, author of <i>Colonial Crossings: Figures in Irish Literary History</i> <p/> "Asserting the simultaneity of national and global frames of reference, this illuminating book is a fascinating and timely contribution to Irish Modernist Studies."--Geraldine Higgins, author of <i>Heroic Revivals from Carlyle to Yeats</i> <p/> Looking at the writing of three significant Irish expatriates, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity. In reality, he argues, these writers constantly work back and forth between a sense of national belonging that remains incomplete and ideas of human universality tied to their new global environments. For these and many other Irish writers, national and international concerns do not conflict, but overlap--and the interplay between them motivates Irish modernism. <p/> According to Pearson, Joyce's <i>Ulysses </i>strives to articulate the interdependence of an Irish identity and a universal perspective; Bowen's exiled, unrooted characters are never firmly rooted in the first place; and in Beckett, the unsettled origin is felt most keenly when it is abandoned for exile. These writers demonstrate the displacement felt by many Irish citizens in an ever-changing homeland unsteadied by long and turbulent decolonization. Searching for a sense of place between national and global abstractions, their work displays a twofold struggle to pinpoint national identity while adapting to a fluid cosmopolitan world.<br><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"[An] admirable book . . . Repositions the artistic subject as something different from the biographical Joyce, Bowen, or Beckett, cohering as a series of particular aesthetic responses to the dilemma of belonging in an Irish context."--<b><i>James Joyce Broadsheet</i></b><br><br>"A smart and compelling approach to Irish expatriate modernism. . . . An important new book that will have a lasting impact on postcolonial Irish studies."--<b><i>Breac</i></b><br><br><br>"Demonstrat[es]. . .just what it is that makes comparative readings of history, politics, literature, theory, and culture indispensable to the work that defines what is best and most relevant about scholarship in the humanities today."--<b><i>Modern Fiction Studies</i></b><br><br><br>"Pearson is convincing in arguing that Irish writers often straddle the space between national identity and a sense of belonging to a larger, more cosmopolitan environment."--<b><i>Choice</i></b><br><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Nels Pearson, </b>associate professor of English and director of the Program in Irish Studies at Fairfield University, is coeditor of <i>Detective Fiction in a Postcolonial and Transnational World</i>.<br>
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